Audience Influence Life Participatory 
Museum 2.0
JULY 20, 2016
When we say we want our museum to be "audience-centered," what do we mean? They catered to different audiences. It's interesting to note that Kelvingrove and Riverside, like all the Glasgow Museums, are part of a public charity called Glasgow Life. These displays were memorable. They taught us something new.
Museum 2.0
JUNE 18, 2014
And for the first time in my adult life as an American, that seems significant. For most of my life in America, pro soccer was considered something risible and vaguely deviant, like picking your nose in public. And it''s got me thinking about how we build energy and audience for the arts in this country. It''s World Cup time.
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Beth's Blog: How Nonprofits Can Use Social Media
APRIL 21, 2015
Sharing forges connections with followers that improves relationships, achieve goals, and amplifies a leader’s influence. The big shift that leaders have to make is to be more comfortable with openness. There is a 6 step framework in the book that begins with creating a plan that outlines the goal, audience, and platform.
Museum 2.0
JULY 11, 2012
But every once in awhile, something extraordinary comes up, something that isn't emergent or evolving or encouraging but something that explodes into your life like a comet knocking on your door. It's often intended for an audience that I only barely understand through the ways they respond and interact with the work.
Museum 2.0
DECEMBER 23, 2014
But perhaps most significantly, we used the art and the subjects therein as jumping off points for bringing the museum collection to life. Who is the audience for Museum Hack? When we became more known on these trip planning websites, it shifted our audience. What is my “ask” of my audience? What are their “next steps”?
Museum 2.0
FEBRUARY 1, 2012
Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more? Here are three of my favorites.
Museum 2.0
SEPTEMBER 7, 2010
Elsewhere’s Living Museum, open daily, offers audiences (average 300/week) an exploratory environment to play within and a site where creative practice is made public and the artwork and museum are themselves in a constant state of flux. Tags: participatory museum guestpost Unusual Projects and Influences.
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