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These 3 Types Of Nonprofits Spend The Most On Advertising According To This 2021 Study

Kindful

These three nonprofit types are: Performing Arts Companies, Promoters of Performing Arts, Sports, and Similar Events, and Museums, Historical Sites, and Similar Institutions. Performing Arts Companies . At the top is Performing Arts Companies. Promoters of Performing Arts, Sports, and Similar Events.

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150+ Creative Ways to Show Donors Appreciation

Nonprofit Tech for Good

For example, if you join a modern art museum, there is a good chance you won’t have to pay admission to other modern art museums. Creative stuff: Things unique to your organization including the ability to create art, music, poetry, dance, etc. A set of screensavers and background images.

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Navigation by Recommendation: Lessons Learned from a Little Experiment

Museum 2.0

How do you find your way around a multi-faceted museum? I spent some time playing with this question last week at the Milwaukee Art Museum, a large general museum that is moving toward redesign of the permanent galleries. Do you interrogate the map? Create a plan for yourself? Get deliciously lost?

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An Interview with Jeska Linden about Nonprofits in Second Life

Beth's Blog: How Nonprofits Can Use Social Media

We created and ran the web site for the Liberal Arts College in an atmosphere which, upon reflection is a lot like Linden Lab. When I graduated in 2003, I moved out here to California and worked with the San Jose Museum of Art before getting a job with Linden Labs. I learned a lot from San Jose Art Museum.

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The Participatory Museum Process Part 2: Participants' Experiences

Museum 2.0

This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Other contributors were collegial and a valuable network of museum wonks has developed." What did they do?

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Guest Post: An ARG at the Smithsonian--A Success?

Museum 2.0

This guest post was written by Georgina Bath Goodlander, the Interpretative Programs Manger for the Luce Foundation Center at the Smithsonian American Art Museum. The Luce Foundation Center for American Art, the museum’s innovative open storage and study center, seemed like the perfect fit for the project.

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