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Ally Shares Her Experience in Program

ASU Lodestar Center

posted by Niamey Thomas Class 12 Public Ally. When looking for an organization to partner with during my term at Public Allies, I wanted to find an organization that would allow me to be myself, an organization that would allow the opportunity to create and one that would not try to place me into a box. My name is Niamey Thomas.

Program 40
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Sustaining Innovation Part 3: Interview With Sarah Schultz of the Walker Art Center

Museum 2.0

In my experience, innovation is about flexibility, capacity, and collaborative relationships. Guard staff who are willing to let an artist step between two panes of glass to perform. That said, the fact that we work with contemporary artists can also create a lot of stress in our institutional systems.

Arts 46
professionals

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Six Alternative (U.S.) Cultural Venues to Keep an Eye On

Museum 2.0

It was started in 2003 and is run by Mark Allen and a collective of artists, many of whom have also been applying their talents by performing "interventions" at formal art institutions including LACMA, the Hammer Museum, and the Contemporary Art Museum in St. PieLab (Greensboro, AL). The doors of SLAM are never closed.

Culture 49
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Year Three as a Museum Director. Thrived.

Museum 2.0

Seeing so many cheerful one-liners in my inbox made me think about how different my work situation is today than the last time I reflected on it in public in 2012, at my one-year anniversary. We''re investing a lot in a public plaza project outside of the museum. I arrived in 2011 with the explicit directive to execute a turnaround.

Museum 49
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AAM Recap: Slides, Observations, and Object Fetishism

Museum 2.0

A Crowd-Curated Exhibition (Shelley Bernstein), the Tech Virtual Test Zone (me), along with a new participatory research project, Children of the Lodz Ghetto (David Klevan), to talk about our lessons and struggles working with the public to create "museum-quality" exhibitions and research projects. This was particularly true for Click!,

Slides 20
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17 Ways We Made our Exhibition Participatory

Museum 2.0

We experimented with many different forms of visitor participation throughout the building, trying to balance social and individual, text-based and artistic, cerebral and silly. We invited a private art school to fill a very public wall with paintings made by students in response to the question, "How would you depict love?"

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Self-Censorship for Museum Professionals

Museum 2.0

Tom compared public perception of racial intelligence to that of sexual orientation, commenting that over the last thirty years, the left has advocated to have racial intelligence categorized as nurture and sexual orientation categorized as nature. And so my question is, why are we keeping them away? Why aren't we developing our audiences?"

Museum 20