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How Nonprofit CEOs Use Social Media (Enthusiastically) for Personal and Organizational Leadership

Beth's Blog: How Nonprofits Can Use Social Media

What other executive directors in your field that you respect, follow or and feel inspired by are using social creatively? But getting into the habit of regular tweeting, Facebooking, or experimenting with new tools like Instagram is another story. It’s not that you don’t think it is a good idea.

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Populism, Commercialism, and Jeffrey Deitch: The Shifting Debate about LA MOCA

Museum 2.0

Here's what happened: In 2010, amidst severe financial woes and declining audiences, the Museum of Contemporary Art in LA (MOCA), hired Jeffrey Deitch, a NYC gallery owner, to be their new director. It's wild to see so many bloggers and museum directors and critics weigh in. Is it good value to pay a museum director $650,000 per year?

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Can Public Art Increase Civic Participation?

Connection Cafe

Over the course of our 24-week voter engagement campaign, NSD hired 60 artists to create 60 “Vote Here/Vote Aqui” signs. The artists came from more than 20 different Philadelphia neighborhoods. As Project Director of NSD, I have the privilege of presenting about our project during the Public Service segment at MCON 2016.

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Beijing 2008 Olympics Potential Catalyst for Human Rights

Have Fun - Do Good

Lisa of ENOUGH writes in, Tell Companies Sponosoring the Chinese Olympics that Darfur is Not 'Business is Usual' , " we believe that the more voices that are raised, the more hope there is for peace in Darfur. Disband the Publicity Department (the former Propaganda Department), which exercises daily control over content in the Chinese press.

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Memo from the Revolution: Six Things I've Learned from our Institutional Transformation

Museum 2.0

When we work with diverse collaborators, from opera singers and ukelele players to knitters and graffiti artists, we catalyze new partnerships and relationships that make our community stronger and more cohesive. You want to have an artist collective sleepover at the museum? We believe in fearless experimentation. Sounds great.

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Meditations on Relevance, Part 3: Who Decides What's Relevant?

Museum 2.0

There is a strong community of Oaxacan artists, dancers, and musicians in Live Oak. Our Director of Community Engagement, Stacey Marie Garcia, reached out to the people who run the festival, hoping we might be able to build a collaboration. It gets easier to hear their voices in our heads when we make a decision.

Teen 20
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22 Email Ledes That Always Work!!

M+R

To make ends meet, artists would sometimes team up as a studio — helping each other come up with ideas, chipping in when someone was in danger of missing a deadline, teaching each other tips and tricks. And by quoting an outside validator, you add an extra voice of authority to support your own message. What are your go-to ledes?

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