Artist Culture Money Participatory 
Beth's Blog: How Nonprofits Can Use Social Media
OCTOBER 26, 2006
"While none of these approaches cost a lot of money, they certainly require staff time to support. Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." Go read it.
Museum 2.0
APRIL 26, 2018
Audiences of all backgrounds found ways to connect with museums as it presented exhibitions with the help of foster youth, migrant farmers, roller-derby girls, mushroom hunters, surfers and incarcerated artists, among others. I'm also always interested in how the national media portrays changes in the cultural sector.
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Media Cause
AUGUST 9, 2021
While much of the branding and design inspiration we run across is either from consumer brands or individual artists, it all provides us with the opportunity to discover new principles, practices, and approaches that we can incorporate into our nuanced nonprofit world. However, creating accessible work does not have to be hard, or expensive.
Museum 2.0
JULY 17, 2012
It happened because we: partnered with local artists and community organizations whose passion and generosity made it possible for us to create incredible events. We created programming specifically targeted to families with young kids and adults looking for casual, intriguing, affordable cultural experiences on Friday nights and Saturdays.
Museum 2.0
APRIL 14, 2011
The best way I can really push my own participatory practice and thinking is to operate an institution and work with a community I care about over time. By November of 2010, I had a business plan for the cafe and intended to start raising money in 2011. I strongly believe that participation is more about operation than development.
Museum 2.0
MAY 9, 2012
Talking about money, openly. I led a session with Eric Siegel and Ellen Rosenthal on museum business models and some of the issues we grapple with in managing money. In particular, we had a great group of 15 talking about participatory history experiences on Sunday. Participatory art and co-creation on the rise.
Museum 2.0
SEPTEMBER 21, 2016
Looking closer, I saw that each seat had its own handwritten label, telling the story of the Philadelphia cultural institution from which it originated. They were there for artist talks. There's no money to fix them. The chairs were cast-off art, reclaimed as art, available for people to take off the hooks and use.
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