Museum 2.0

OCTOBER 2, 2013

In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it. Every Saturday, the curatorial team at Elsewhere , a living museum in downtown Greensboro, NC, reviews the project proposals of its artists-in-residence.

Artist 49

Artist Museum Proposal Participatory 49

Museum 2.0

SEPTEMBER 26, 2012

Visitors bond and bridge through participatory experiences at MAH. The program is an experimental playground that bridges artists, students, chefs, comedians, hairdressers, bartenders, dancers, wrestlers and even tattoo artists to produce a community-led event. Cardboard tube orchestra at Radical Craft Night.

Museum 49

Museum Program Participatory Community 49

Museum 2.0

OCTOBER 15, 2009

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? The other three are cultural, and I'm not sure how accurate they are.

Teen 24

Teen Participatory Experiment Museum 24

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 25, 2011

Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts.

Guatemala 93

Guatemala Movie Artist Award 93

Museum 2.0

APRIL 26, 2018

Audiences of all backgrounds found ways to connect with museums as it presented exhibitions with the help of foster youth, migrant farmers, roller-derby girls, mushroom hunters, surfers and incarcerated artists, among others. I'm also always interested in how the national media portrays changes in the cultural sector.

Audience 49

Audience Washington Museum Intergenerational 49

Museum 2.0

SEPTEMBER 18, 2013

I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). Yes and no.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). Yes and no.

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

DECEMBER 15, 2014

When basketball players are offering more cogent commentary on racial issues than cultural institutions, you know we have a cultural relevance problem. Museums are a part of this educational and cultural network. Colleges are addressing greater cultural and racial understanding in various courses. Things must change.

Museum 52

Museum Blogger Cleveland Missouri 52

Museum 2.0

OCTOBER 24, 2012

To that end, our exhibitions are full of participatory elements. It's not unusual for me and our public programming staff members to have several short interactions every week with newcomers who walk in the door with idiosyncratic visions for cultural engagement.

Platform 41

Platform Open Museum Participatory 41

Have Fun - Do Good

OCTOBER 30, 2009

Interesting WorldChanging post, Just Launched: Journal of Participatory Medicine. Early registration deadline is Nov. Green Blogger Convention To Kick Off In Los Angeles Next Month on Eco razzi. We Inspire Grant : One year of creative services to one U.S. nonprofit (valued up to $75,000 ).

Los Angeles 40

Los Angeles Green Gift San Francisco 40

Museum 2.0

OCTOBER 30, 2013

Earlier this fall, I read this headline: "Stanford study: Participation in a cultural activity may reduce prejudice." When the music video was focused on Mexican culture, the researchers found that the white and Asian participants demonstrated a decrease in prejudice against Latinos, both immediately after the activity and six months later.

Measure 47

Measure Arts People Museum 47

Museum 2.0

FEBRUARY 15, 2012

I'm personally most excited about the two types of interns who will be reporting to me: Community Research interns, who will start developing a methodology for us to use to understand how people in Santa Cruz connect with arts and culture experiences and what role the museum can play in satisfying their interests.

Museum 34

Museum Participatory Arts Attitude 34

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. Over the past seven years, this exploration has been undertaken by a staff of artists and more than 35 creators each year participating in our residency program.

Collaboration 36

Collaboration North Carolina Museum Artist 36

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 11, 2006

I've been reading Henry Jenkin's book, Convergence Culture: Where Old and New Media Collide" - I ordered after I heard him speak at the MacArthur Foundation Digital Media and Learning briefing (Nancy Schwartz recently wrote about it here ) and read his white paper on participatory culture.

Social Network 50

Social Network Network Guide Participatory 50

Museum 2.0

FEBRUARY 1, 2012

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more?

Arts 45

Arts Museum Artist Tucson 45

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 31, 2007

I met her like ten years ago when I leading training workshops for arts educators, artists, and arts organizations throughout New York State on how to use the Internet. These projects were done nearly ten years ago, but they presage what the social web, participatory media. Meet Susan Silverman. I was teaching Web1.0

Flickr 50

Flickr Professional Participatory New York 50

Media Cause

AUGUST 9, 2021

While much of the branding and design inspiration we run across is either from consumer brands or individual artists, it all provides us with the opportunity to discover new principles, practices, and approaches that we can incorporate into our nuanced nonprofit world.

Design 52

Design Experiment Nonprofit Collaboration 52

Museum 2.0

JULY 17, 2012

It happened because we: partnered with local artists and community organizations whose passion and generosity made it possible for us to create incredible events. We created programming specifically targeted to families with young kids and adults looking for casual, intriguing, affordable cultural experiences on Friday nights and Saturdays.

Museum 47

Museum History Arts Artist 47

Museum 2.0

APRIL 15, 2015

We were discussing the potential for cultural organizations to have significant impact across communities: on planning, health, education, and quality of life. Over three days, 52 artist teams erected experimental projects along San Francisco''s biggest thoroughfare. "The arts are future-making."

San Francisco 20

San Francisco Arts Design Marketing 20

Museum 2.0

JANUARY 18, 2012

Major research studies by the NEA and others demonstrate that adults well into their 60s are highly motivated to participate actively with cultural experiences. There are many participatory experiences that appeal primarily to adults, and they are designed distinctly for adults. But I don't think that theory holds up.

Interaction 47

Interaction Design Museum Participatory 47

Museum 2.0

MAY 29, 2013

People use it to share surprises in the archives, inspiring meetings with artists, dead birds in the lobby, and free food in the fridge. Connectedness builds staff culture. participatory museum professional development' People post silly photographs from the basement cleanup and cheer on each other''s small successes.

Facebook 55

Facebook Museum Participatory Adopt 55

Museum 2.0

APRIL 14, 2011

The best way I can really push my own participatory practice and thinking is to operate an institution and work with a community I care about over time. I also believe that small and mid-sized museums are the leaders when it comes to innovation, particularly around participatory engagement. I knew we were moving somewhere nice.

History 55

History Museum Arts Consultant 55

Museum 2.0

OCTOBER 31, 2012

We're working with participatory online artist Ze Frank on an exhibition at the MAH this winter that features the missions, creations, and explorations of his current web series, A Show. We would love to share that conversation with anyone in the museum/arts/culture world who has an interest. Ze Frank Weekend - Jan 12-13, 2013.

Professional 35

Professional Develop Museum Arts 35

Museum 2.0

AUGUST 9, 2011

She is a fabulous and thoughtful artist. The same day we opened the Creativity Lounge, we opened new exhibitions throughout the building, including a paper collage show in the 3rd floor lobby by local artist Lisa Hochstein. For me, the goal is for people to have an enjoyable, educational, cultural, social experience.

Museum 51

Museum Arts History Columbus 51

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? For this reason, I see history museums as best-suited for participatory projects that involve story-sharing and crowdsourced collecting (e.g.

Museum 29

Museum Difference Participatory History 29

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

In some ways, a design lab can be thought of as “participatory research and testing.”. It is a useful technique for creating a more responsive, flexible organizational culture as well as coming up with more innovative ideas for programs and grants that are a good fit. How do we leverage the “rain” of culture change?3.

Design 50

Design Strategy Facilitation Advocacy 50

Museum 2.0

MAY 21, 2014

Over the past three years, we''ve tripled our attendance, doubled our budget, and, most importantly, established deep and diverse relationships with community members, artists, and organizations across Santa Cruz County. We work hard to name and build our culture in many ways. Participatory work can be very labor-intensive.

Museum 49

Museum Director History Teen 49

Museum 2.0

JULY 1, 2011

But the point is that the MAH, like just about every other museum in the known universe, was content to define the museum experience as something removed from the outside world, a rarefied church-like space of refined artistic reflection. Her blog, "Museum 2.0," is one of the leading forces working to remake the museum experience.

Museum 31

Museum History Arts Work 31

Museum 2.0

FEBRUARY 25, 2015

We are hiring a temporary contract curator to activate the plaza this summer with 25+ cultural events. The ideal candidate has a good grasp of our local artistic assets in Santa Cruz County, a knack for participatory placemaking, and enthusiasm about putting on a show. multiple times per week. multiple times per week.

Public 20

Public Activities Active Activism 20

Museum 2.0

MAY 9, 2012

And I talked about some of the challenges of finding the right income and expense models for a museum that operates more like a community center than a traditional cultural institution. In particular, we had a great group of 15 talking about participatory history experiences on Sunday. Participatory art and co-creation on the rise.

Reflection 43

Reflection Columbus Museum Participatory 43

Museum 2.0

AUGUST 14, 2013

We ran with it and have since generated data about decision-making, cooperation, competition and negotiation for scientists (and also some artists) to play with. I wholeheartedly believe it has the power to advance science (and art and cultural heritage) through the power of play. as a part of Experimonth: Race.

Museum 51

Museum Roles Game Participatory 51

Have Fun - Do Good

NOVEMBER 2, 2006

In his post Andrew asks, How do professional arts organizations foster and encourage participatory practice in our communities, and is that part of their job? Or are we working along a spectrum of cultural opportunities that demands we focus even more narrowly on our point in that spectrum?

Arts 40

Arts Web Wisconsin Social 40

Museum 2.0

APRIL 29, 2015

We had incredible success transforming our institution into a vibrant cultural center. For example, in Santa Cruz there is a huge community of creative people who identify as artists in non-traditional media. That’s why we partner with fire sculptors, knitters, graffiti artists, and bonsai growers.

Build 20

Build Community Museum Artist 20

Museum 2.0

JUNE 12, 2012

It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. We've continued to do this for future exhibitions.

Participatory 51

Participatory Museum Blackboard Game 51

Museum 2.0

MARCH 28, 2012

We had about thirty participants ranging from MAH trustees to artists, educators to architects, moms to grandfathers. We asked the whole group to brainstorm communities/constituencies who they thought could make a stronger connection with art, history, and culture. It was an evening meeting with beer and chips.

Program 49

Program Community Design Museum 49

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? No, this is not a reality TV show.

Artist 39

Artist Museum Project Public 39

Museum 2.0

SEPTEMBER 21, 2016

Looking closer, I saw that each seat had its own handwritten label, telling the story of the Philadelphia cultural institution from which it originated. They were there for artist talks. The chairs were cast-off art, reclaimed as art, available for people to take off the hooks and use. They were there for project brainstorming.

Process 20

Process Share Philadelphia Arts 20