Beth's Blog: How Nonprofits Can Use Social Media
APRIL 25, 2007
" I'm trying to walk the walk and talk the talk of Remixing Content for nonprofits. One thing you'll notice is that the presentation itself is a remix of a remix. I remixed it from an earlier prsentation called Associations 2.0 Mashup or: Why educators should learn to stop worrying and love the remix.
Beth's Blog: How Nonprofits Can Use Social Media
APRIL 18, 2007
Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World. My initial remix thought (wrong) was to look for examples that were related to agriculture, but the extension is so much more. I'm nervous. It's messy.
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Beth's Blog: How Nonprofits Can Use Social Media
DECEMBER 15, 2006
There are other reasons why YouTube can be problem too - the little issue of content ownership, particularly if you want your work to get out there and be remixed as in participatory media. That's why I think, in part, point #1 here should be a little less YouTube specific.
Beth's Blog: How Nonprofits Can Use Social Media
MAY 3, 2010
Also, for our Creative Commons licensed books to be remixed/repurposed by the community in whatever way they wish to. Flickr : Documentation of the work we do and also to upload our Creative Commons licensed illustrations so that they can be remixed/reused. (See See this blog post from Creative Commons ).
Tech Soup
MAY 14, 2013
In the beginning, TechSoup’s Marnie Webb, Daniel Ben-Horin, and Billy Bicket created NetSquared to "remix the web for social change." which heralded a new, participatory web culture. " The year was 2005. TechSoup was then called CompuMentor. The Iraq War was raging. The buzzword then was Web 2.0,
Beth's Blog: How Nonprofits Can Use Social Media
MARCH 7, 2007
From Icommons comes an incredibly useful legal brief to remixing media in the age of participatory media and campaigns by Steve Vosloo, Digital Hero Book Project. There are some issues related to the remix chain and what is or isn't fair use. Beth's Flickr Stream. How can you be creative and stay legal?
Museum 2.0
JULY 14, 2008
The NAS publishes one such report every business day, and apparently these reports are seen as a gold standard of objective, well-researched content on a range of industries and issues. If museum and library content is licensed, not owned, how can we work within those licenses to allow visitors to use and remix to their heart’s content?
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