Museum 2.0

MARCH 27, 2009

It’s a thrilling challenge to the traditional form of art museum exhibit design, and better yet, visitors like it. There are two aspects of Side Trip that really stand out: the immersive environment and the design of the interactives. We’re all together, man. The interactive experiences in Side Trip are superlative.

Denver 21

Denver Museum Arts Remix 21

Museum 2.0

JUNE 12, 2012

It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. This post focuses on one aspect of the exhibition: its participatory and interactive elements. So many museum exhibitions relegate the participatory bits in at the end.

Participatory 51

Participatory Museum Blackboard Game 51

Museum 2.0

DECEMBER 14, 2009

The London Science Museum team designed an entire exhibition and then left a few open vitrines at the end for visitors to contribute their own toys during the run of the exhibition. I worked on one project in which the client institution thought they wanted unfettered teen expression. Sixth, you need other people to help you.

Project 22

Project Museum Teen North Carolina 22

Museum 2.0

NOVEMBER 7, 2010

I'd always joked that my dream job was to design pinball machines--a technical problem wrapped in creativity and pleasure. At the big one, I worked on a small project with teens to design science exhibits for community centers in their own neighborhoods. I designed electricity workshops for families.

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

APRIL 6, 2011

Let's say you spend a year working with a group of teens to co-create an exhibition, or you invite members and local artists to help redesign the lobby. In many cases, once the final project is launched, it's hard to detect the participatory touch. Not every participatory process has to scream "look at me!"

Participatory 48

Participatory Process Museum Children 48

Museum 2.0

SEPTEMBER 21, 2016

Every other year, they convene TUPAC, a group of 35 outside advisors, including teens, college students, Temple University professors, artists, philanthropists, and community leaders. It's a challenge in all process-driven work. They live their mission, working in questions and projects rather than exhibitions and programs.

Process 20

Process Share Philadelphia Arts 20

Museum 2.0

AUGUST 3, 2009

We're always happy for more bodies in the door, but if supporting teens means alienating seniors, there's a problem. But it skips some of the fundamental design and operational choices that separate community centers from the rest of the civic and cultural landscape. Tags: participatory museum inclusion comfort.

Community 22

Community Museum San Diego San Francisco 22

Museum 2.0

MAY 8, 2013

We''re more successful when we target particular communities or audiences and design experiences for them. At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. How do you reconcile inclusion and targeting in program design? And rarely the twain shall meet.

Museum 55

Museum Social Arts History 55

Museum 2.0

FEBRUARY 24, 2011

I've written before about the difference between participatory processes and products , but this question of frameworks and sensibility is more broadly applicable to community engagement strategies. In fact, I find that participatory products are often more likely to reflect a formal sensibility than their traditional counterparts.

Voice 42

Voice Los Angeles Denver Museum 42