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Sustaining Innovation Part 3: Interview With Sarah Schultz of the Walker Art Center

Museum 2.0

This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). In my experience, innovation is about flexibility, capacity, and collaborative relationships. In the 1990s, we decided we wanted to engage a teen audience.

Arts 46
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Meditations on Relevance, Part 3: Who Decides What's Relevant?

Museum 2.0

Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model. Develop collaborations and programs, keeping in mind what you have learned. Often, organizations adopt a service model that is strictly needs-based. It's pretty simple.

Teen 20
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Six Alternative (U.S.) Cultural Venues to Keep an Eye On

Museum 2.0

Art spaces masquerading as laundromats and letterpresses. From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. Want some waffles with your art? Elsewhere Collaborative (Greensboro, NC).

Culture 49
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Reflections on a Weekend with Ze Frank and His Online Community

Museum 2.0

Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. The group was mostly young (teens to thirties) and nerd-diverse: a little bit punk, a little bit hacker, a little bit craft grrl. Participants who felt more confident modeled generous behavior and engaged others. It was pretty freaking amazing.

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Participatory Design Vs. Design for Participation: Exploring the Difference

Museum 2.0

I once worked on a project where the main goal behind our community-based participatory model was to make our exhibit process faster and cheaper. And that's a major monkey wrench in the standard models for how museums operate, staff, and fund their work. But it's never done. Users disagreed. But how far does that go?

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[VIDEO] Get More Grants with Donor Cultivation

Bloomerang

And that was that funders are collaborating so much more together than they ever have before. Maybe it’s one of the teens that participate in the Girls and Boys Club after-school program, or maybe it’s an adult that has truly benefited from some of the healthcare services you provide. They love the grant templates.

Grant 97
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Framework vs. Sensibility: Separating Format from Voice

Museum 2.0

I was talking this week with Mark Allen, the founder of Machine Project (an alternative arts space in LA), about different models for community engagement in cultural institutions. For example, consider two independent arts organizations in Los Angeles -- Machine Project and The Public School.

Voice 42