Beth's Blog: How Nonprofits Can Use Social Media
OCTOBER 27, 2011
Back in the mid-1990′s – after 15 years of working the nonprofit sector, I got obsessed by technology and started working as the network weaver for an online network of artists called ArtsWire. I got hear the legends in the nptech sector in the early days talk about their work and was inspired. Rob, you will be missed.
Museum 2.0
MARCH 21, 2012
At the museum of art and history where I work, we are grappling with the question of how to help people enjoy themselves while keeping the art and artifacts safe. In the history gallery, we have some blended props and artifacts, and it's rarely clear what is and is not ok to touch. Engagement with local artists.
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Museum 2.0
DECEMBER 26, 2012
In that spirit, I offer a few things that have excited me in recent weeks: The MCA Denver Holiday Video is out, and it is very, very good. I have felt in the past that some of the MCA's holiday videos were a bit too pretentious, but this year's edition is full of joy and a message that really reflects what they do in Denver.
Museum 2.0
SEPTEMBER 26, 2012
Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.
Museum 2.0
JULY 26, 2010
In the past, I've highlighted a few--like 826 Valencia and the Denver Community Museum --that I think have already influenced the way many traditional cultural organization do business. It's run by Jon Rubin, an artist and professor of social practice at Carnegie Mellon, and his students. PieLab (Greensboro, AL).
Museum 2.0
MAY 9, 2012
In particular, we had a great group of 15 talking about participatory history experiences on Sunday. The conference showcased many fabulous projects-- Flux Foundation , Open Field , Shine a Light , Create Denver --that support substantive co-creation experiences for artists and amateurs alike. History and science museums.
Museum 2.0
MAY 5, 2009
which followed a very strict formula that frustrated some participants who wanted to be treated like artists, not contributors to a data experiment. Their use of the web to connect independent artists all over the world was striking and very surprising. being as transparent as possible about the selection and production process.
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