Museum 2.0

APRIL 18, 2011

I asked Wendy Pollock and Kathleen McLean, authors of the new book The Convivial Museum , to share a guest post about the book. At first glance, our new book, The Convivial Museum , is about the most simple ideas. Or this one by Lacey Criswell, of Bike Night at the Minneapolis Institute of Art. Nothing new here!"

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Museum Photo Minneapolis California 50

Museum 2.0

MARCH 26, 2014

Last week''s New York Times special section on museums featured a lead article by David Gelles on Wooing a New Generation of Museum Patrons. In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. David describes himself as a "museum brat."

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Museum Generation Interview Donor 54

Museum 2.0

DECEMBER 7, 2011

I have a confession to make: I've never cared much about museums on the Web. When smart people talk about digital museums and virtual experiences, I nod and compartmentalize it as someone else's bailiwick. And it breaks a lot of conventional rules about museum homepages. Is this the future of all museum websites?

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Museum Arts Digital Websites 51

Museum 2.0

MAY 9, 2012

Last week, I was in Minneapolis for the American Association of Museums annual meeting. Kathleen McLean led a terrific session called "Dangerous Ridiculous" about risk-taking in museums. Interestingly, at my museum, our team is naturally better at ridiculous than we are at dangerous. I found this idea really powerful.

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Reflection Columbus Museum Participatory 43

Museum 2.0

SEPTEMBER 26, 2018

Our goal is to help civic and cultural institutions become more representative OF, co-created BY, and welcoming FOR their diverse communities. We've see this model succeed at the MAH and at other community-centered organizations around the world. We see OF/BY/FOR ALL as an adaptable playbook for community change.

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Los Angeles Network Oakland Change 31

Museum 2.0

JUNE 12, 2009

In almost all cases, museums assure me that they want to be in conversation, that they want to be responsive, that they want to “really hear” what people think. In one case, the institution jumped into the conversation and converted an ugly situation into a positive community outcome. Is this a research project? Is it a conversation?

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Conversation Museum Artist Minneapolis 21