2011 Artist Environment History 
Qgiv
JUNE 1, 2023
” Then, in 2011, President Barack Obama expanded the officially recognized Pride Month to include the whole of the LGBT community. The purpose of Pride Month is to recognize the impact that lesbian, gay, bisexual and transgender individuals have had on history.
Museum 2.0
APRIL 10, 2013
The weather is hopefully the least of the reasons you should want to come work with us here at the Santa Cruz Museum of Art & History. Participatory Performing Artist-in-Residence program. Museum of Art and History Quick Hits' It''s the typical temperature here all spring, summer, and fall. It''s pretty freaking beautiful.
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Amy Sample Ward
JUNE 21, 2011
I’m at the 2011 Games for Change conference today and live-blogging a few sessions! Ruth Cohen – American Museum of natural History. Ruth Cohen – American Museum of natural History. For years we have been producing digital media to fulfill our mission of educating the public about science and history.
Museum 2.0
MAY 21, 2014
I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. I arrived in 2011 with the explicit directive to execute a turnaround. I''ve never worked in such a supportive, energized, active environment. institutional change Museum of Art and History' She is right.
Museum 2.0
OCTOBER 17, 2012
From 2006-2011, I focused almost entirely on #1 and #2, playing with ways to invite visitors to actively participate with professionals to co-create powerful experiences around museum objects. We invited local artists and community groups to perform. We make room for interns and artists and people who walk in the door with crazy ideas.
NTEN
JUNE 21, 2011
I'm at the 2011 Games for Change conference today and live-blogging a few sessions! Ruth Cohen - American Museum of natural History For years we have been producing digital media to fulfill our mission of educating the public about science and history. here was a kind of proof that you don't have to choose."
Museum 2.0
MAY 5, 2009
which followed a very strict formula that frustrated some participants who wanted to be treated like artists, not contributors to a data experiment. Their use of the web to connect independent artists all over the world was striking and very surprising. being as transparent as possible about the selection and production process.
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