Museum 2.0
APRIL 1, 2010
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. Few publishers was open to Creative Commons licensing and to giving away the content for free online. I chose the Attribution Noncommercial license.
Beth's Blog: How Nonprofits Can Use Social Media
NOVEMBER 29, 2010
Subsequently, I invited Gautam John who works with Pratham Books to write a guest post about their social publishing strategy where he briefly touched upon their use of Creative Commons licenses. Enabling a Participatory Culture using Creative Commons Licenses by Gautam John. We now use Creative Commons licenses everywhere!
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Beth's Blog: How Nonprofits Can Use Social Media
MAY 3, 2010
Also, for our Creative Commons licensed books to be remixed/repurposed by the community in whatever way they wish to. Flickr : Documentation of the work we do and also to upload our Creative Commons licensed illustrations so that they can be remixed/reused. (See See this blog post from Creative Commons ).
Beth's Blog: How Nonprofits Can Use Social Media
APRIL 25, 2007
It also incorporates cc licensed materials from others, including videos and flickr photos. I would love to develop more indepth training workshop or webinar on this topic, geared more for nonprofits and participatory campaigns, perhaps incorporating the Creative Commons Open Content Game. to Change The World.
Zen and the Art of Nonprofit Technology
AUGUST 18, 2005
Downhill Battle , which is an organization people interested in the whole "copyfight" issue should know about, has a new project, called Participatory Culture. There is a very interesting PDF floating about with a powerpoint presentation by the CEO of the RIAA about the copyright/filesharing, etc. This is very cool.
Museum 2.0
JANUARY 4, 2010
It's rare that a participatory museum project is more than a one-shot affair. In contrast, the Wikimedians were focused on making cultural content digitally available online using as open a licensing structure as possible. Some images were disqualified for copyright reasons, others because they could not be identified.
Beth's Blog: How Nonprofits Can Use Social Media
APRIL 18, 2007
the work of copyright holders. Lessig presents this as a desirable ideal and argues, among other things, that the health, progress, and wealth creation of a culture is fundamentally tied to this participatory remix process. It is an idea closely tied with the term user-generated content and creative commons licensing.
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