Copyright Culture License Participatory 
Beth's Blog: How Nonprofits Can Use Social Media
NOVEMBER 29, 2010
Subsequently, I invited Gautam John who works with Pratham Books to write a guest post about their social publishing strategy where he briefly touched upon their use of Creative Commons licenses. Enabling a Participatory Culture using Creative Commons Licenses by Gautam John. Creative Commons to the rescue.
Beth's Blog: How Nonprofits Can Use Social Media
MAY 3, 2010
Also, for our Creative Commons licensed books to be remixed/repurposed by the community in whatever way they wish to. Flickr : Documentation of the work we do and also to upload our Creative Commons licensed illustrations so that they can be remixed/reused. (See See this blog post from Creative Commons ).
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Beth's Blog: How Nonprofits Can Use Social Media
APRIL 25, 2007
It also incorporates cc licensed materials from others, including videos and flickr photos. I would love to develop more indepth training workshop or webinar on this topic, geared more for nonprofits and participatory campaigns, perhaps incorporating the Creative Commons Open Content Game. to Change The World.
Zen and the Art of Nonprofit Technology
AUGUST 18, 2005
Downhill Battle , which is an organization people interested in the whole "copyfight" issue should know about, has a new project, called Participatory Culture. There is a very interesting PDF floating about with a powerpoint presentation by the CEO of the RIAA about the copyright/filesharing, etc. This is very cool.
Museum 2.0
JANUARY 4, 2010
It's rare that a participatory museum project is more than a one-shot affair. The Wikimedians asked if the museum would coordinate a project in which people could photograph artworks in cultural institutions to illustrate Wikipedia articles. It started with a request from a group of New York Wikimedians to the Brooklyn Museum.
Beth's Blog: How Nonprofits Can Use Social Media
APRIL 18, 2007
Step 8: Understand The Power Remix Culture and User-Generated Content. Remix culture is a term used by the Creative Commons founder Larry Lessig to describe a society which allows and encourages derivative works. Such a culture would be, by default, permissive of efforts to improve upon, change, integrate, or otherwise remix.
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