Remove Artist Remove Instructional Remove Open Remove Participatory
article thumbnail

What I Learned from Beck (the rock star) about Participatory Arts

Museum 2.0

There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). Beck talks about this in the context of learning to play music as a young artist. Everything old is new again.

article thumbnail

The Johnny Cash Project: A Participatory Music Video That Sings

Museum 2.0

This question is a byproduct of the reality that most participatory projects have poorly articulated value. When a participatory activity is designed without a goal in mind, you end up with a bunch of undervalued stuff and nowhere to put it. The project never gets "full" and is always open to new contributors.

professionals

Sign Up for our Newsletter

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

article thumbnail

Guest Post by Nina Simon -- Self-Expression is Overrated: Better Constraints Make Better Participatory Experiences

Beth's Blog: How Nonprofits Can Use Social Media

I’ve had it with museums’ obsession with open-ended self-expression. When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Museums see open-ended self-expression as the be-all of participatory experiences. Submitted by Nina Simon, publisher of Museum 2.0.

article thumbnail

Self-Expression is Overrated: Better Constraints Make Better Participatory Experiences

Museum 2.0

I’ve had it with museums’ obsession with open-ended self-expression. When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Museums see open-ended self-expression as the be-all of participatory experiences. This is a problem for two reasons.

article thumbnail

Fifteen Random Things I've Learned about Design for Participation This Year

Museum 2.0

We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. SETUP Cut your instructions down to as little text as possible. Accolades are more inspiring than instructions.

Design 45
article thumbnail

Guest Post: Weaving Community Collaborations into Permanent Installations at the Denver Art Museum

Museum 2.0

The DAM is one of several large art museums that is embracing making in a big way—first, through their event-based programming and open art studios tied to temporary exhibitions, and now, through a 1,200 square foot studio in which visitors can do art projects tied to the permanent collection. They’re tagging with yarn.

Denver 35
article thumbnail

Lessons in Participatory Design from SFMOMA's Exhibition on (you guessed) The Art of Participation

Museum 2.0

The Art of Participation provides a retrospective on participatory art as well as presenting opportunities for visitors to engage in contemporary (“now”) works. As the museum's website puts it, "this exhibition examines how artists have engaged members of the public as essential collaborators in the art-making process."