BoardAssist

FEBRUARY 24, 2015

I’m writing from Amsterdam today – where I’ve had an amazing week at the International Fundraising Congress with fundraisers from all over the world. Dr. Adrian Sargeant’s original study in 2008 f ound that when donors IDENTIFY with you, they have a sense of connectedness and social identity that includes you and your cause.

Donor 40

Donor Create Brazil Newsletter 40

Museum 2.0

JANUARY 18, 2008

This week marks one month of live activity for the Tech Virtual Museum Workshop , a collaborative, online platform for exhibit development. What's it like to work in a virtual exhibit workshop? The result is a focus on designing spaces, workshops, and social experiences that facilitate creative sharing.

Museum 20

Museum Virtual Tech Second Life 20

Have Fun - Do Good

NOVEMBER 7, 2007

You have to take action either by taking a class, doing an informational interview, volunteering, interning, going to an event, or taking a job in the field that interests you. Research classes/workshops in a skill I want to learn. I taught creative career workshops for six years based on this book. Do it, don't think about it.

Advice 40

Advice Difference Green Classes 40

Museum 2.0

SEPTEMBER 18, 2013

I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums. In 2008, the conversation started shifting to "how" and "what." Note: the title of this post pays homage to Elaine Heumann Gurian''s excellent and quite different 1981 essay of the same title.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

NOVEMBER 7, 2010

I had a healthy second life as a slam poet, and I loved the world of artists and performance. I designed electricity workshops for families. In 2004, Anna was the Director of Exhibitions and Programs at the International Spy Museum. I expected the museum blogosphere to explode in 2007 or 2008. I got hooked all over again.

Museum 52

Museum Boston Participatory Job 52

Have Fun - Do Good

JANUARY 16, 2009

I think about how hesitant I was to become an artist, because I didn't see role models, and even to this day how hard it is for me sometimes to find peers who are women of color, because of how systematically they are pushed out. I'm an artist and an institution builder. Similarly, for International Women's Month.

Artist 40

Artist Digital Arts San Francisco 40

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. In 2008, the conversation started shifting to "how" and "what." Note: the title of this post pays homage to Elaine Heumann Gurian's excellent and quite different 1981 essay of the same title.

Question 49

Question Participatory Museum Evaluation 49