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Museum 2.0 Rerun: Answers to the Ten Questions I Am Most Commonly Asked

Museum 2.0

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

Museum 45
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What Could Kill an Elegant, High-Value Participatory Project?

Museum 2.0

It's my "artistic rendering" of one of the most inspirational participatory projects I know of--the Bibliotheek Haarlem Oost book drops. Too often, cultural institutions design participatory projects that require visitors to learn new tools or make sacrifices to contribute. Tags: design participatory museum.

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Answers to the Ten Questions I am Most Often Asked

Museum 2.0

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

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Participation Starts with Staff: The Ruru Revolution

Museum 2.0

Ruth is a curator of pictorial collections for Puke Ariki, a museum/library/visitor center in the small city of New Plymouth, New Zealand. Puke Ariki has about 70 full-time staff members, of whom 10 work for the museum, and the institution is pretty siloed. Where do you start? Ruth Harvey has a brilliant solution to this problem.

Badge 40
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Brooklyn Clicks with the Crowd: What Makes a Smart Mob?

Museum 2.0

I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.

Museum 24
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The Participatory Museum Process Part 3: My Experience

Museum 2.0

This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. As the participatory content review progressed well, I started looking for other ways for people to help.

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Adventures in Participatory Journalism: An Interview with Sarah Rich about 48 Hour Magazine

Museum 2.0

Oh, and they wanted it to be participatory. I talked with Sarah Rich , one of the project’s instigators and staff members, to learn more about 48 Hour Magazine and its implications for other participatory media projects. For example, we received a photo essay that featured images taken months ago in French Guyana.