Museum 2.0
SEPTEMBER 22, 2009
They provide detailed case studies of projects in each area, including project descriptions, informal science education goals, participant training techniques, and evaluation outcomes. Visitors co-opt institutional facilities every day for their own agendas, whether to impress a date, bond with family, or work on their photography skills.
Beth's Blog: How Nonprofits Can Use Social Media
APRIL 23, 2008
They're now running a compelling experiment in crowd-sourced exhibition creation and curation via the photography exhibition Click. On the web, anyone can evaluate the photographs in terms of aesthetic quality and relevance to the exhibition theme. All evaluations are private; all artists are unnamed. Launched in Jan.
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Museum 2.0
APRIL 16, 2008
They're now running a compelling experiment in crowd-sourced exhibition creation and curation via the photography exhibition Click. On the web, a jury of the masses (anyone) can evaluate the photographs in terms of aesthetic quality and relevance to the exhibition theme. All evaluations are private; all artists are unnamed.
Beth's Blog: How Nonprofits Can Use Social Media
JULY 6, 2009
For background, in the 3 previous NMC conferences I have been involved with since starting my job there in 2006- we’ve done mainly a “tag this conference” approach where we ask people to tag photos, web sites, blog posts e.g. 2006 , 2007 , 2008 where I cobbled together some summary pages using mainly my own Feed2JS code.
Museum 2.0
MARCH 10, 2010
In a couple of cases, I opened this up broadly to my Facebook or Twitter network, for example, when I was looking for a generic shot of visitors checking out a photography exhibition. Improve the section on evaluation. Tags: Book: The Participatory Museum. This restructuring was based on their comments and edits.
Bloomerang
APRIL 2, 2021
Julia Campbell will provide a framework for evaluating the best platforms for your unique organization, as well as ideas for creating great social media content your audience will love. The majority of TikTokers, they’re so young, they’re so spontaneous, they’re so generous with reactions, with shares, with tagging.
Museum 2.0
JULY 11, 2008
As James comments in the attached podcast (scroll down), Shelley’s team did something that he thought was “too hard” to do in his work—tackle the effect of crowds on the subjective question of art evaluation. It’s not really a photography show in the way I would curate a photography show.” Projects.
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