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Take a Side Trip to the Denver Art Museum

Museum 2.0

This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. There is no dissonance between the museum’s formal voice and laminate and the visitors’ pens and paper. We’re all together, man.

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Designing Talkback Platforms for Different Dialogic Goals

Museum 2.0

I'm not talking about guiding content; I'm talking about guiding form. If your goal is to encourage visitors to perceive themselves as partners in the content co-creation experience, make room for their thoughts sooner rather than later. Tags: Talking to Strangers design participatory museum usercontent interactives.

Design 31
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Why Your Museum Needs a Bar

Museum 2.0

The journal includes articles about two thriving adult science programs, one at the Dana Centre at the London Science Museum, the other Cafe Scientifique , at a pub in Denver. But now, many bars are also offering participatory experiences around content. Can a venue be as important than the content packaged inside it?

Museum 22
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AAM Recap: Slides, Observations, and Object Fetishism

Museum 2.0

Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! Some of the most interesting questions included: how do you verify the accuracy and authenticity of visitor-contributed content?

Slides 20
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The 2016 - 2017 Best Nonprofit Conferences Calendar

Everyaction

The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. New voices energizing conversations. Associations. 12/13/2016.

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Framework vs. Sensibility: Separating Format from Voice

Museum 2.0

The sensibility is the content and the style with which the engagement happens. I've written before about the difference between participatory processes and products , but this question of frameworks and sensibility is more broadly applicable to community engagement strategies. But it's far more typical to focus on just one.

Voice 42