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The Nonprofit Book We’ve Been Waiting Four Years To Read Is Finally Here: New Power

Beth's Blog: How Nonprofits Can Use Social Media

It is open, participatory, and peer-driven. Connectivity helps facilitate highly distributed groups of people to work on a campaign, project, or share ideas that spread with unprecedented velocity and reach. How do you blend? It is closed, inaccessible, and leader-driven. It downloads and it captures.

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Adventures in Participatory Audience Engagement at the Henry Art Gallery

Museum 2.0

In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. You can explore the projects in full on the class wiki.

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12 Ways We Made our Santa Cruz Collects Exhibition Participatory

Museum 2.0

This exhibition represents a few big shifts for us: We used a more participatory design process. Our previous big exhibition, All You Need is Love, was highly participatory for visitors but minimally participatory in the development process. We're involving visitor services and volunteers more intentionally in facilitation.

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Lead or Follow: Arts Administrators Hash it Out

Museum 2.0

Roberto Bedoya : The "Yes And" Argument and its Civic Implications Bedoya, the Executive Director of the Tucson Pima Arts Council, makes a beautiful statement that arts administrators need to facilitate a multiplicity of leading voices, or as he puts it, "the courage of imagination and the plural."

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Advice: An Exhibition about Talking to Strangers

Museum 2.0

You can explore the project wiki where we coordinated the exhibit, including the project overview , our six-week plan to get it all done, and individual sections for development of concept , content , interaction , graphics , marketing , fabrication , installation , and evaluation.

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The Great Good Place Book Discussion Part 5: Oldenburg on the LAM

Museum 2.0

We need to set up spaces in which doing the right thing--welcoming all kinds of people--is easy, facilitated and enforced. Nina's research keeps finding that the right kind of constraints work to produce a better participatory museum experience. It was a collaborative library/design/art/community-building project.

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