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Why is "World Class" so Classist?

Museum 2.0

Jason Beaubien was reporting on the Soumaya Museum in Mexico City, the gleaming new art museum built as a "gift to Mexico" by the world's richest man, Carlos Slim. The news report , strangely, focused on the question of whether the Soumaya Museum is a rich man's indulgence or a truly "worthy" cultural institution.

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Crowd Fundraising for the Arts: No Running, Walking, or Freezing Plunges Required

Connection Cafe

Museums, zoos, and aquariums are finding that crowdfundraising can be a strategic tool to add to their fundraising playbook. Here are 3 arts and cultural organizations that have given crowd fundraising a go for compelling causes: National Air & Space Museum. Are there works of art you want to restore? Denver Zoo.

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Dangerous/Ridiculous: Reflections on AAM

Museum 2.0

Last week, I was in Minneapolis for the American Association of Museums annual meeting. Kathleen McLean led a terrific session called "Dangerous Ridiculous" about risk-taking in museums. Interestingly, at my museum, our team is naturally better at ridiculous than we are at dangerous. I found this idea really powerful.

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Engagement, Distraction, and the Puzzle of the Puzzle

Museum 2.0

Two weeks ago, we inaugurated a Creativity Lounge on the third floor of our museum. It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. The area that houses the Creativity Lounge also shows art.

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Nonprofits That Tweet: Roundup of lists, resources, and examples

Beth's Blog: How Nonprofits Can Use Social Media

Brooklyn Museum With over 21,000 followers, the Brooklyn Museum, one of the oldest and largest museums in the country, is having discussions about art with art patrons and other art museums on Twitter. The organization's chief geek, Shelley Bernstein, runs the Twitter profile.

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Quick Hit: Upcoming Workshops and Webcast Talks

Museum 2.0

I've experienced all kinds of fabulous museums and participatory experiences from Stockholm to Columbus, Ohio, many of which I will be sharing soon on this blog. Friday, April 22, I'll be giving a talk and workshop in Philadelphia, PA with the Pew Center for Arts and Heritage. I'm reaching the end of another heavy travel jag.

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Thing a Day: Good or Glib?

Museum 2.0

How can museums learn from it? When I see something truly breath-taking, I want to understand all the bits of it, whether it’s a piece of art, a commercial, or a boxing match. Where do museums fit in? Many museum exhibits focus on exposing the process of greatness—how did Newton develop his theories on objects in motion?

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