Remove Arts Remove Change Remove Empowerment Remove Teen
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Teenagers, Space-Makers, and Scaling Up to Change the World

Museum 2.0

This week, my colleague Emily Hope Dobkin has a beautiful guest post on the Incluseum blog about the Subjects to Change teen program that Emily runs at the Santa Cruz Museum of Art & History. Subjects to Change is an unusual museum program in that it explicitly focuses on empowering teens as community leaders.

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The Art of Relevance Sneak Peek: Part Ex-Con, Part Farmer, Part Queen

Museum 2.0

For the last time this summer, I'm sharing a chapter from my new book The Art of Relevance to celebrate its release. One of the nonprofits that inspires me locally here in Santa Cruz is a youth empowerment and food justice organization called "Food, What!?" FoodWhat empowers teens to change their lives through farming and food justice.

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Six New Games for Change: Check Out the Future of Gaming for Good

NTEN

By Jeff Ramos, Community and Content Manager, Games for Change. For the first time, this year's Games for Change Festival created an opportunity for producers of games in development to get live feedback from leading game designers, educators, and funders on the main stage. BOTTOM LINE & FUNDING. BOTTOM LINE & FUNDING.

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Meditations on Relevance, Part 3: Who Decides What's Relevant?

Museum 2.0

Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model. Here are two examples: Our Youth Programs Manager, Emily Hope Dobkin, wanted to find a way to support teens at the museum. But there was no such program focused on the arts.

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Traveling Postcards: Interview with Founder, Caroline Lovell

Have Fun - Do Good

Hundreds of unique, hand-made art postcards, containing words of compassion and solidarity are hand delivered to individuals and communities all over the world, bringing connection, hope, visibility and voice to women and girls whose lives have suffered from isolation, violence or repression. Each card is a piece of art in my mind.

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The Participatory Museum, Five Years Later

Museum 2.0

I feel lucky to be a small part of that change. That said, there are a couple big things I got wrong in the book - or at least, that I''ve changed my perspective on since writing it. Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA. Empowerment? and "why?" to "how?".