Artist Interview Participatory Question 
Museum 2.0
OCTOBER 1, 2014
It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way. interview Museums Engaging in 2.0
Museum 2.0
MAY 3, 2011
They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way. We invited a cross-section of artists, filmmakers, and advertisers to join us for a think tank. How and why did Object Stories come to be? So what did you do next?
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Museum 2.0
SEPTEMBER 20, 2010
In some cases, the artist is not comfortable, or there are insurance and liability issues. Kristen will be responding to comments and questions here on the blog. If you are interested in this topic, you might enjoy this interview with John Falk and Beverly Sheppard and Chapter 2 of The Participatory Museum.
Beth's Blog: How Nonprofits Can Use Social Media
APRIL 23, 2008
The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged. What Should Artists and Arts Organization???s
Museum 2.0
JULY 9, 2009
Seb Chan has a lovely, long interview up at Fresh+New with Helen Whitty about the Powerhouse Museum's new mini-exhibition, the Odditoreum. Last month, I met an artist who was part of a group that created a renegade podcast tour for the Portland Art Museum. The participatory element employs an accessible speculative question.
Museum 2.0
FEBRUARY 22, 2012
What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? No, this is not a reality TV show.
Museum 2.0
NOVEMBER 7, 2010
I had a healthy second life as a slam poet, and I loved the world of artists and performance. For the second interview, I even built a little lie detector and brought it in. I started meeting people through the blog--both those I interviewed and early readers who commented. The Spy Museum was a dream place for me.
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