Artist Children Participatory Reflection 
Beth's Blog: How Nonprofits Can Use Social Media
OCTOBER 26, 2006
The book includes a "Connected Quiz, a set of reflective questions that can help an activist think about how well they or their organization is connecting with others -- something to think about before jumping into the tools. Expressions (media creation, mashups, etc). Circulations - shaping the flow of media (e.g.
Museum 2.0
FEBRUARY 9, 2010
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? For this reason, I see history museums as best-suited for participatory projects that involve story-sharing and crowdsourced collecting (e.g.
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Museum 2.0
MARCH 15, 2010
It's not the extent to which they are participatory. They reflect the soul of the community and can be responsive to its unique interests and needs. The institutions that seem most prey to a "cookie cutter" approach are science centers and children's museums. They may employ local artists to help create visitor experiences.
Museum 2.0
JUNE 12, 2012
It was exhilarating to see them inspired to create their own meanings in response: lovers whispering together in alcoves, people of all ages writing and drawing on walls and post-its, children painting, everyone sitting rapt before screens. This post focuses on one aspect of the exhibition: its participatory and interactive elements.
Museum 2.0
JULY 9, 2009
The Odditoreum is a temporary gallery for the summer school holiday in which the Powerhouse is displaying eighteen very odd objects alongside fanciful (and fictitious) labels written by children's book author Shaun Tan, schoolchildren, and visitors. The participatory element employs an accessible speculative question.
Museum 2.0
NOVEMBER 7, 2010
I had a healthy second life as a slam poet, and I loved the world of artists and performance. In DC, I worked half-time for NASA as an electrical engineer and half-time for the Capital Children's Museum (now defunct) as a science educator. So I packed up and moved down the East Coast. I made $26/hour at NASA and $7.25/hour
Museum 2.0
NOVEMBER 6, 2012
In a straightforward way, Marilyn explains how her team developed a participatory project to improve engagement in a gallery with an awkward entry. We also wanted to: Inspire visitors to engage in active looking: notice, reflect, react, and respond to the works of art and to the interdisciplinary quality of the exhibition.
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