Qgiv

MARCH 25, 2024

Many benefit concerts become annual events or make history for their cause. Held annually at Carnegie Hall, this event not only invites attendees to revel in captivating musical performances but also serves as a vital platform for celebrating and safeguarding Tibetan culture.

Hosting 52

Hosting Benefit Music Registration 52

Bloomerang

FEBRUARY 21, 2024

This guide is a great place to start to generate ideas for items and packages that will captivate your audience at your next auction event. Concert tickets Buying concert tickets has become like a competitive sport, as passionate fans flood ticket platforms to see their favorite artist live.

Artist 72

Artist Classes Arts Local 72

The Modern Nonprofit

MAY 30, 2023

Join us on a transformative journey as we explore the captivating history of Pride Month, uncover creative ways to extend our support far beyond June, and discover invaluable fundraising tools that will elevate our events to the next level. Get ready to make a lasting impact and empower change like never before.

Support 98

Support Fundraising New York City History 98

Museum 2.0

DECEMBER 8, 2006

Environmentalists, the Museum of Natural History at CU, they all responded very enthusiastically to this. And that will probably happen when the kind of artistic production that uses new media will become predominant in the museums. This is an interesting problem related to natural heritage and how it is shared and enjoyed.

Interview 20

Interview Museum Culture Sound 20

Museum 2.0

AUGUST 13, 2009

Earlier this year, the New Museum and Creative Time commissioned a traveling piece by artist Jeremy Deller called "It Is What It Is: Conversations About Iraq." Jeremy Deller admitted in his artist statement that this piece was motivated by his own very personal interest in Iraq.

Iraq 28

Iraq Challenge Museum Library 28

Museum 2.0

FEBRUARY 27, 2013

It has introduced me to corrupt university fundraisers , the true history of Tom Dooley , and the world's oldest marathon runner. Yes, I know that every platform is different, and that the captive attention we afford to radio, TV, and written material doesn't map perfectly to a free-choice wander through an exhibition.

Museum 53

Museum Story Captivate Artist 53