Museum 2.0

OCTOBER 17, 2012

When I started this blog in 2006, I made a multi-media introduction to the concept of "museum 2.0" Venue as content platform instead of content provider: the museum becomes a stage on which professionals and amateurs can curate, interpret, and remix artifacts and information. The museum gets better the more people use it.

Museum 47

Museum Artist Remix Professional 47

Amy Sample Ward

JUNE 21, 2011

Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. Ruth Cohen – American Museum of natural History. For years we have been producing digital media to fulfill our mission of educating the public about science and history.

Game 140

Game Culture Museum Change 140

Museum 2.0

AUGUST 14, 2013

One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. Beck is the brain behind the risk-taker/space-maker paradigm I''ve shared here in the past.

Museum 51

Museum Roles Game Participatory 51

Museum 2.0

MAY 31, 2017

This is the eleventh in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. But my realist brain never got the full attention of my cheerleader brain. Excited to open. but not quite yet. We lined up press.

Open 37

Open Brain Press Museum 37

NTEN

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

Game 52

Game Culture Change Museum 52

Museum 2.0

AUGUST 8, 2010

A Community-Based Approach to Collecting and Cataloging CUL is a replicable model for community archives that accepts every piece of print media from a certain area without making quality or importance judgments, going back as far in history as possible. The Underground Library isn’t just a community archive of things past.

Chicago 48

Chicago Library Public Culture 48

Museum 2.0

JANUARY 23, 2013

I asked how their new Exploring Engagement Fund (of which my museum was an early grant recipient) was going. First, and close to home, it meant the possibility that the Irvine Foundation might become a funder of the work we do at the Santa Cruz Museum of Art & History around active arts participation and social bridging.

Arts 48

Arts Audience Active Activities 48