Artist Blended Museum Participatory 
Museum 2.0
FEBRUARY 19, 2014
Every day for the past two months, a man has entered the largest gallery in my museum. The man is artist Rocky Lewycky , whose work is part of a group show of visual artists who have won a prestigious regional fellowship. It also complicates the question of what is acceptable in a museum. This is not a crime. Definitely.
Museum 2.0
NOVEMBER 8, 2011
Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatory arts practice and new frameworks for audience engagement. I've often been asked about examples of participatory practice in theater, dance, and classical music, and this report is a great starting point.
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Museum 2.0
MARCH 21, 2012
How do you help visitors know what they can and cannot do in your museum? Most museums have this figured out: they have signs, they have guards, they have cases over the objects. And this works pretty well in science museums, where designers talk about "hardening" exhibits to withstand the more aggressive touchers among us.
Museum 2.0
FEBRUARY 1, 2012
Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more?
Museum 2.0
MAY 3, 2017
This is the ninth in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. Working with creative people taught me to think like an artist: observe, explore, dive in, look out. We develop the ideas. We develop the projects.
Museum 2.0
JUNE 12, 2012
--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. This post focuses on one aspect of the exhibition: its participatory and interactive elements.
Museum 2.0
MAY 8, 2013
Like a lot of organizations, my museum struggles with two conflicting goals: The museum should be for everyone in our community. At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. And rarely the twain shall meet.
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