Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 10, 2013

Whether the model your foundation is using to help its grantees is a one-day master class or extended program, in the end, success is about having participants apply what they’ve learned and make these new skills an organizational habit.

Design 95

Design Communication Program Build 95

Museum 2.0

NOVEMBER 8, 2011

How did the authors come up with the intriguing blend of curatorial, interpretative, and inventive opportunities shown in the Audience Involvement Spectrum's Venn diagrams? Why is a photography contest an example of "crowd sourcing" wheres a community drawing contest is an example of "audience-as-artist"?

Participatory 50

Participatory Arts Report Case Study 50

Museum 2.0

MAY 3, 2017

Working with creative people taught me to think like an artist: observe, explore, dive in, look out. The “we” isn’t always staff; in most cases, our staff work with community partners in a participatory, co-creative model. An artist says: “I’ll explore the world, pull ideas from it, and craft a response.”

Develop 20

Develop Artist Participatory Blended 20

Museum 2.0

JULY 17, 2013

As a forest-dwelling hippie, I know very little about reality TV, but it''s clear that the model of "do an ambitious, wacky project really fast" is now tied closely to a slew of shows about everything from cooking to art-making. I''d give a team feedback and they said it was like Tim Gunn had blessed their project.

Museum 49

Museum Arts History Professional 49

Museum 2.0

JUNE 15, 2009

Facilitated/Unfacilitated Blend When we started this course, I really pushed the students to think about ways to induce unfacilitated interactions among strangers. The whole exhibit modeled the potential for someone to respond to your query, and as it grew, the sense that you would be responded to and validated grew as well.

Advice 31

Advice Museum Facilitation Student 31

Museum 2.0

SEPTEMBER 15, 2009

The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. Many museums do not provide participants with clear terms surrounding their submissions, and for savvy people (especially artists!) In their personal statements, beach artists wrote about profound connections to nature.

Project 38

Project Museum Artist Map 38