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ISO Understanding: Rethinking Art Museum Labels

Museum 2.0

The collection is disaggregated, grouped by floor (Painting and Sculpture 1) rather than artist, movement, time period, or geography. Most featured Name of Artist, Name of Piece, Year of Execution, Materials. Sometimes I listened to the audio pieces meant for visitors who are blind. Did the artist like it?

Arts 30
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What I Learned From @Sree Sreenivasan Chief Digital Officer of @MetMuseum

Beth's Blog: How Nonprofits Can Use Social Media

Later, when were chatting with a small group of people in the lobby, we noticed a group of teens walking by looking a little sad. ABCs: He started off with some basics – a riff on Guy Kawasaki’s Always Be Commenting. Artists have been using the right tool at the right time to make art.

Digital 50
professionals

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17 Ways We Made our Exhibition Participatory

Museum 2.0

We experimented with many different forms of visitor participation throughout the building, trying to balance social and individual, text-based and artistic, cerebral and silly. The content was developed in a participatory way but is presented traditionally via artifacts, text, photos, and audio. Some are conceptual (i.e.

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Self-Censorship for Museum Professionals

Museum 2.0

You can view (and download ) the slides and audio here, which feature our provocations and the discussion that followed. The audio starts noisy. I encourage you to add your own examples and thoughts on this list to the comments. in which we explored the peculiarities of self-censorship in the creation of museum exhibitions.

Museum 20