Museum 2.0
MAY 10, 2017
This is the tenth in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. How could we build a market that was as diverse as our museum? Staff members wanted to protect the MAH’s focus on reflecting the diversity of our community.
Beth's Blog: How Nonprofits Can Use Social Media
JUNE 14, 2010
It was sponsored by the Hewlett Foundation, Wallace Foundation, San Francisco Foundation, Grants for the Arts, and the Koret Foundation. The whole idea got started a year ago when James Leventhal who is Deputy Director for the Contemporary Jewish Museum asked me if I would design some trainings for the local arts community.
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Beth's Blog: How Nonprofits Can Use Social Media
MAY 20, 2010
This post summarizes the content I shared in my presentation and offers some reflection on the conversational keynote. Examples: Wildlife Direct and Brooklyn Museum. Examples: San Jose Opera use of #Operaplot Twitter Hashtag. Connecting With Colleagues. 3: Use conversation starters to engage your target audience.
Beth's Blog: How Nonprofits Can Use Social Media
JULY 13, 2006
We created and ran the web site for the Liberal Arts College in an atmosphere which, upon reflection is a lot like Linden Lab. When I graduated in 2003, I moved out here to California and worked with the San Jose Museum of Art before getting a job with Linden Labs. I learned a lot from San Jose Art Museum.
Museum 2.0
DECEMBER 5, 2008
Cultural Connections is a group of museum professionals who meet up a few times a year and host excellent programs on a variety of topics. This week, they hosted "Let Them Be Heard: Visitor Participation in the Museum Experience," featuring four presentations on incorporating visitors' content into museums. Here's what they did.
Museum 2.0
JULY 24, 2007
This week, thoughts on Chapter 12 of Elaine Gurian’s book Civilizing the Museum , "Threshold Fear: Architecture program planning." In this essay, Elaine discusses the various barriers to entry for non-traditional visitors to museums, that is, the threshold fear that keeps such potential visitors from walking in our doors.
Museum 2.0
NOVEMBER 9, 2007
My interest in gaming in museums was ignited by working on Operation Spy, an immersive, narrative, live-action game experience at the International Spy Museum, and fueled by the CSI:NY virtual experience. The Open Source Museum project at The Tech is a grant-funded grand experiment.
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