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10 Steps to Extension Professional 2.0 Remix

Beth's Blog: How Nonprofits Can Use Social Media

Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World. My initial remix thought (wrong) was to look for examples that were related to agriculture, but the extension is so much more. An example?

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A Social Publishing Strategy by John Gautam, Pratham Books

Beth's Blog: How Nonprofits Can Use Social Media

Also, for our Creative Commons licensed books to be remixed/repurposed by the community in whatever way they wish to. Flickr : Documentation of the work we do and also to upload our Creative Commons licensed illustrations so that they can be remixed/reused. (See Example of Partham Books on mobile phones.

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professionals

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NetSquared: In the Beginning

Tech Soup

In the beginning, TechSoup’s Marnie Webb, Daniel Ben-Horin, and Billy Bicket created NetSquared to "remix the web for social change." which heralded a new, participatory web culture. The idea was to embed the functions of existing social sites like Meetup , Flickr , and del.icio.us. " The year was 2005.

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How to license mixed media, without a law degree

Beth's Blog: How Nonprofits Can Use Social Media

Beth's Flickr Stream. From Icommons comes an incredibly useful legal brief to remixing media in the age of participatory media and campaigns by Steve Vosloo, Digital Hero Book Project. There are some issues related to the remix chain and what is or isn't fair use. How can you be creative and stay legal? shout-out???

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Voters: Part 1 - Multimedia Tagging Project

Beth's Blog: How Nonprofits Can Use Social Media

This morning I got an email from my colleagues at NTEN telling me it was an awesome example of tagging. They are encouraging people to tag into del.icio.us, flickr, YouTube, etc. The next step, of course, is to throw in a little remix and participatory media culture into it! There are 198 photos in the flickr stream. (My

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Museum Photo Policies Should Be as Open as Possible

Museum 2.0

Security: Photographers might take photos with intent to do harm; for example, with plans to rob the museum or stalk another visitor. To me, an open photo policy is a cornerstone of any institution that sees itself as a visitor-centered platform for participatory engagement. I respect the first and second arguments.

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