Remove Evaluation Remove Minnesota Remove Museum Remove Proposal
article thumbnail

Six Steps to Making Risky Projects Possible

Museum 2.0

Unsurprisingly, some of my favorite museums are small, funky places run by iconoclasts—but that’s not useful to most professionals who work for organizations in which they have little control over size or leadership matters. There are several good resources on evaluating participation. It’s nice to have both.

Project 22
article thumbnail

Libraries: The Oldest New Frontier for Innovation

Amy Sample Ward

Earlier this week, I had the opportunity to speak at the Minnesota Council for Nonprofits annual conference; and after my presentation, I spent a couple hours speaking with folks from various nonprofits, vendors and service organizations. I want to start, first, with a story…. Who’s the community? But think about it in more detail.

Library 241
professionals

Sign Up for our Newsletter

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

article thumbnail

Crowdsourcing: Measuring the Impact of the Crowd in Funding and Doing

Beth's Blog: How Nonprofits Can Use Social Media

It was good opportunity for me to look back at the crowdsourcing chapter in our book, The Networked Nonprofit , and update the examples and thinking. The presentation was followed by a discussion about how one might evaluate efforts to engage crowds. What do you track? What domains of impact should be considered (e.g.

Measure 96
article thumbnail

Sustaining Innovation Book Discussion Part 1: What Does it Take Innovate Naturally and Frequently?

Museum 2.0

The longer I consult with museums and cultural institutions, the more time I spend peering into people's eyes, wondering: do folks here feel able to innovate? To write the book, Light selected and studied 26 innovative non-profits and government agencies across Minnesota during the mid-90s. It only matters if it matters.

article thumbnail

State Fairs and Visitor Co-Creation: An Interview about MN150

Museum 2.0

Traditional exhibition design, in which the museum has a specific story or message to tell, doesn't easily accommodate visitor co-creation. This realization--that a single museum voice was not the best way to tell a particular story--formed the basis for MN150 , the exhibition explored in this post. How did this project get started?