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Diversity and Open Source

Zen and the Art of Nonprofit Technology

It comes out of Kirrily Robert’s keynote at OSCON about women and open source. of open source communities. Some open source communities are more diverse than others. Kirrily has a set of really good guidelines for open source communities: Recruit diversity. Say it, mean it. Transparency.

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Diversity and Open Source

Zen and the Art of Nonprofit Technology

It comes out of Kirrily Robert’s keynote at OSCON about women and open source. of open source communities. Some open source communities are more diverse than others. Kirrily has a set of really good guidelines for open source communities: Recruit diversity. Say it, mean it. Transparency.

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5 Ways To Be A Better Ally

Saleforce Nonprofit

The goals of the DEI Open Source Commons team center around leveling the playing field for everyone in tech by increasing diversity and inclusion at Salesforce community events, in addition to creating and modeling a toolkit that groups can use towards their own diversity, equity, and inclusion (DEI) initiatives. “I

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Thoughts on the Future of Open Source and Nonprofits

NTEN

Based on my informal assessment of attitudes and interest in the NTEN community about open source software, I think there's a significant and growing number of folks and organizations who are either interested in, already using, or even evangelizing open source solutions. Current Trends.

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Why Tech Nonprofits Are Building Digital Tools for Racial Equity and Justice

Non Profit Quarterly

Take, for instance, Unlocked Labs , a nonprofit that employs a team of incarcerated software developers who are building nonprofit, open-source technology to make high-quality education more accessible to incarcerated individuals. That’s where the Asylum Seeker Advocacy Project (ASAP) comes in.

Tech 98
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Goodbye, Game Friday. Hello Open Source Museum.

Museum 2.0

One of my mentors, Michael Brown, told me, “The only way to get better is to change.” But last week, I took a new job with The Tech Museum of Innovation in San Jose, working on a very different kind of project involving collaborative distributed exhibit design. Will this project thrive or fall flat? We’re going to make mistakes.