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The Participatory Museum, Five Years Later

Museum 2.0

This week marks five years since the book The Participatory Museum was first released. Across the museum field, the questions about visitor participation have gone from "what?" Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA. and "why?" to "how?".

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Seeking Clarity about the Complementary Nature of Social Work and the Arts

Museum 2.0

When we talk about museums or cultural institutions as vehicles of social and civic change, what does that really mean? And we each have specific interests in increasing access, connection, and empowerment of marginalized people. Museum work is mostly non-contact. We all work for nonprofits.

Arts 51
professionals

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Building Community: Who / How / Why

Museum 2.0

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. And that means we get volunteers who are A.

Build 20
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Meditations on Relevance, Part 3: Who Decides What's Relevant?

Museum 2.0

One of my favorite comments on the first post in this series came from Lyndall Linaker, an Australian museum worker, who asked: " Who decides what is relevant? Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model. My answer: neither.

Teen 20
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The Move On Model: Inciting Visitor Social Action

Museum 2.0

I spent Saturday in beautiful Monterey, ocean pounding outside the window of a conference room, where about 40 museum folks were pondering a question more elusive than the origin of the waves: can museums change the world? People don't need empowerment to make a difference; they need vehicles for action.

Model 26
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Taking Your Professional Development Global!

ASU Lodestar Center

posted by Maureen O'Brien Development Director Musical Instrument Museum. It was wonderful to again be immersed in French culture and language. As the development director at the Musical Instrument Museum (MIM), which celebrates the music of every country in the world, my team has a platform to fundraise internationally.

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Taking Your Professional Development Global!

ASU Lodestar Center

posted by Maureen O''Brien Development Director Musical Instrument Museum I recently had the opportunity to travel to Paris, France to attend the 5ème conférence de fundraising pour le secteur culturel (5th conference on fundraising for the cultural sector) put on by the Association Française des Fundraisers (French Association of Fundraisers).