Artist Influence Participatory Technology 
Museum 2.0
APRIL 2, 2014
There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). One of the things I always focus on in participatory exhibit design is ensuring that everyone has the same tools to work with.
Museum 2.0
OCTOBER 29, 2010
This question is a byproduct of the reality that most participatory projects have poorly articulated value. When a participatory activity is designed without a goal in mind, you end up with a bunch of undervalued stuff and nowhere to put it. Are you making that shift in your thinking about participatory project design?
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Media Cause
AUGUST 9, 2021
We develop our skills by seeking, absorbing, questioning, adapting, and experimenting, oftentimes bringing diverse influences together to create something that’s unique for our clients’ needs, but with connections to other relevant spaces. we had to quickly pivot and learn new technologies and platforms to move their galas and events virtual.
Museum 2.0
AUGUST 14, 2013
I met many new people and learned a lot about technology and community, but the learning wasn''t the point, enjoying the resolutions was. We ran with it and have since generated data about decision-making, cooperation, competition and negotiation for scientists (and also some artists) to play with. as a part of Experimonth: Race.
Beth's Blog: How Nonprofits Can Use Social Media
APRIL 23, 2008
The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged. More at TechCrunch and Technology in the Arts Blog.
Museum 2.0
APRIL 16, 2008
Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged.
Museum 2.0
SEPTEMBER 29, 2010
The artists come from all over (though many are based in the Midwest), and anyone can enter. Artprize invited me to talk about art with artists, families, security guards, friends, people old and young, sophisticated and novice, drunk and sober. Then get yourself to Grand Rapids for Artprize. It's the social experience. The prizes?
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