Remove Culture Remove Empowerment Remove Impact Remove Teen
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Teenagers, Space-Makers, and Scaling Up to Change the World

Museum 2.0

This week, my colleague Emily Hope Dobkin has a beautiful guest post on the Incluseum blog about the Subjects to Change teen program that Emily runs at the Santa Cruz Museum of Art & History. Subjects to Change is an unusual museum program in that it explicitly focuses on empowering teens as community leaders.

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4 bbcon Takeaways for Philanthropic Organizations to Power 2019 Planning

Connection Cafe

With so many moving parts and new considerations for philanthropic organizations, it is more important than ever to understand where you want to drive impact, and the specific ways you can get there. Foster a data culture, and a testing culture . Takeaway #3: Impact m easurement is no longer an option. .

professionals

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3 Ways Your Creative Can Move Your Social Movement Forward

Connection Cafe

Make sure your creative includes all of the following: Images: Timely and relevant; telling the narrative of the individual instead of the crowd; featuring faces of real people who are seeking opportunity (the empowerment the gifts are directed toward). Video: Content that focuses on the individual, not the organization.

Teen 20
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The Participatory Museum, Five Years Later

Museum 2.0

I wrote The Participatory Museum for two reasons: to explore the "how" of participatory design in museums, cultural centers, libraries, and science centers to create a version of this blog that was more "shareable" with organizational leaders and trustees By many measures, the book has been a success. Empowerment? Social bridging?

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Six New Games for Change: Check Out the Future of Gaming for Good

NTEN

” Presented by filmmaker Chelo Alvarez-Stehle, SOS_Slaves aims to raise trafficking awareness in teens while empowering them with the tools to take responsibility and speak out against this issue. The empowerment of girls in third world countries is a topic many corporate sponsors are looking to endorse. JURY FEEDBACK.

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