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The Johnny Cash Project: A Participatory Music Video That Sings

Museum 2.0

This question is a byproduct of the reality that most participatory projects have poorly articulated value. When a participatory activity is designed without a goal in mind, you end up with a bunch of undervalued stuff and nowhere to put it. What's the "use" of visitors' comments? That's hardly revolutionary.

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Guest Post by Nina Simon -- Self-Expression is Overrated: Better Constraints Make Better Participatory Experiences

Beth's Blog: How Nonprofits Can Use Social Media

When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Museums see open-ended self-expression as the be-all of participatory experiences. You are handed a pre-mixed color and a brush and a set of instructions. Tags: guest blogging participatory.

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Self-Expression is Overrated: Better Constraints Make Better Participatory Experiences

Museum 2.0

When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Museums see open-ended self-expression as the be-all of participatory experiences. You are handed a pre-mixed color and a brush and a set of instructions. Tags: design participatory museum usercontent.

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Why Are So Many Participatory Experiences Focused on Teens?

Museum 2.0

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? The program operates like a camp that is co-led by the teens involved.

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Lessons in Participatory Design from SFMOMA's Exhibition on (you guessed) The Art of Participation

Museum 2.0

The Art of Participation provides a retrospective on participatory art as well as presenting opportunities for visitors to engage in contemporary (“now”) works. As the museum's website puts it, "this exhibition examines how artists have engaged members of the public as essential collaborators in the art-making process."

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Guest Post: Weaving Community Collaborations into Permanent Installations at the Denver Art Museum

Museum 2.0

The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations. Community artists gave their honest feedback, and we crafted a display based on these discussions and their contributions. They’re tagging with yarn.

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The World Beach Project: A Creative Contributory Project that Shines

Museum 2.0

The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. It features three parts: very clear instructions on how to participate, a map of all of the contributions to date , and photos of the contributions. The World Beach Project does not exist in the V&A Museum.

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