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Interview with My Dad, Tom Aageson, Co-Founder, Global Center for Cultural Entrepreneurship

Have Fun - Do Good

In addition to being the co-founder of the Global Center for Cultural Entrepreneurship, he is the Executive Director of the Museum of New Mexico Foundation. Since moving to Santa Fe, he has developed New Mexico Creates , an economic development initiative that creates market links for New Mexico artists and artisans.

Culture 51
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Father's Day Show: My Dad, Tom Aageson, Co-Founder, Global Center for Cultural Entrepreneurship

Have Fun - Do Good

In addition to being the co-Founder of the Global Center, he is also the Executive Director of the Museum of New Mexico Foundation. Since moving to Santa Fe, he has developed New Mexico Creates , an economic development initiative that creates market links for New Mexico artists and artisans.

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Be Sweet: Creative Products with a Conscience & More Do-Good Gifts

Have Fun - Do Good

suggested two sites related to the Museum of New Mexico Foundation (who he works for)-- New Mexico Creates , that features the work of 400+ New Mexican artisans and artists, and Worldfolkart.org , that sells work by international artisans.

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My Dad: Allen Stamm Humanitarian of the Year

Have Fun - Do Good

I spent the weekend in New Mexico celebrating two important days with my parents: Mother's Day and my dad's receiving the Allen Stamm Humanitarian of the Year award from the United Way of Santa Fe County. Tom Aageson New Mexico Santa Fe art humanitarian

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The Purpose Prize

Have Fun - Do Good

Right now he is the Executive Director of the Museum of New Mexico Foundation in Santa Fe. Although he's only been there a few years he's helped to create all kinds of cool things like the Santa Fe International Folk Art Market --the largest international folk art market in the United States.

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Arts 2.0: Examples of Arts Organizations Social Media Strategies

Beth's Blog: How Nonprofits Can Use Social Media

The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations. All evaluations are private; all artists are unnamed. The internal team is led by a non-curator. They are sensitive to the artists who are being judged.

Arts 74