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The Participatory Museum, Five Years Later

Museum 2.0

This week marks five years since the book The Participatory Museum was first released. Across the museum field, the questions about visitor participation have gone from "what?" Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA. and "why?" to "how?".

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Building Community: Who / How / Why

Museum 2.0

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. They talked about community building.

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Rethinking Community Advisory Boards: the Story of C3

Museum 2.0

I''ve mostly seen museums employ one of two methods for formal community advisors: Create special "spots" on the board of trustees for certain kinds of community representatives. CON: can feel disconnected from the primary governance of the museum or can feel like a second-class board overall. I struggle with both these options.

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Meditations on Relevance, Part 3: Who Decides What's Relevant?

Museum 2.0

One of my favorite comments on the first post in this series came from Lyndall Linaker, an Australian museum worker, who asked: " Who decides what is relevant? Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model. My answer: neither.

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Taking Your Professional Development Global!

ASU Lodestar Center

posted by Maureen O'Brien Development Director Musical Instrument Museum. I was able to participate thanks in part to professional development grants from Arizona Commission on the Arts and Sigma Alpha Iota. I also enjoyed a presentation by Alice Black, Deputy Director of the Design Museum in London.

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Taking Your Professional Development Global!

ASU Lodestar Center

posted by Maureen O''Brien Development Director Musical Instrument Museum I recently had the opportunity to travel to Paris, France to attend the 5ème conférence de fundraising pour le secteur culturel (5th conference on fundraising for the cultural sector) put on by the Association Française des Fundraisers (French Association of Fundraisers).

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Using Photography to Change the World: An Interview with Paola Gianturco

Have Fun - Do Good

Britt Bravo: In so many of the groups you profiled, the women were using the arts for education, empowerment, or healing. I co-developed and co-taught a series of summer executive institutes at Stanford about women and leadership. In order to get a book published, I was told I had to have a museum exhibit.