Artist Camera Interview Model 
Beth's Blog: How Nonprofits Can Use Social Media
MARCH 24, 2020
My first remote job was to work with a virtual team to manage an online network for artists, called Artswire. As the facilitator you can model it with brevity – it should be no more than 30 seconds. Then you interview people on different sides of the scale. Then call on people, saying the next is A, followed by B.
Museum 2.0
MAY 3, 2011
And some participants were turned off by the video recording—they found it too scary, and being on camera distracted them from telling their story – especially older people. We invited a cross-section of artists, filmmakers, and advertisers to join us for a think tank. They were often visually uncomfortable to watch. Photos are fun.
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Museum 2.0
OCTOBER 1, 2014
It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. And some participants were turned off by the video recording—they found it too scary, and being on camera distracted them from telling their story – especially older people. Photos are fun.
ASU Lodestar Center
JANUARY 17, 2015
In Europe, the government has traditionally been the primary supporter of culture, a model very different to ours in the US. However, the European model is becoming unsustainable as government sources are reducing their funding, and organizations are turning to corporate, foundation, and individual sources for support.
ASU Lodestar Center
JANUARY 7, 2015
In Europe, the government has traditionally been the primary supporter of culture, a model very different to ours in the US. However, the European model is becoming unsustainable as government sources are reducing their funding, and organizations are turning to corporate, foundation, and individual sources for support.
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