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Arts 2.0: Examples of Arts Organizations Social Media Strategies

Beth's Blog: How Nonprofits Can Use Social Media

One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. They're now running a compelling experiment in crowd-sourced exhibition creation and curation via the photography exhibition Click.

Arts 74
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Brooklyn Clicks with the Crowd: What Makes a Smart Mob?

Museum 2.0

I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. They're now running a compelling experiment in crowd-sourced exhibition creation and curation via the photography exhibition Click. All evaluations are private; all artists are unnamed. Let's start simple.

Museum 24
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The Participatory Museum Process Part 1: Overview and Statistics

Museum 2.0

This is the first of a four-part series on the behind-the-scenes experience of writing The Participatory Museum. Overview: Stages of Development and Participation Types The Participatory Museum was written over a 15 month period that began in December of 2008. Many of the book sections started as blog posts on Museum 2.0.

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Why Click! is My Hero (What Museum Innovation Looks Like)

Museum 2.0

No, these are neither the words of a self-important curator nor a well-spoken museum director. the crowd-curated photo exhibition now open at the Brooklyn Museum of Art. It is a substantive research contribution by the museum to the social technology field at large. Things like this are far and few between.

Museum 20
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[VIDEO] Emerging Trends in Nonprofit Social Media Marketing

Bloomerang

Julia Campbell will provide a framework for evaluating the best platforms for your unique organization, as well as ideas for creating great social media content your audience will love. That’s the only way that you can persuade and influence. We’re trying to influence. Julia: Yes. Steven: All right, awesome.