Remove Copyright Remove Google Remove License Remove Remix
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Good Curation VS Bad Curation

Beth's Blog: How Nonprofits Can Use Social Media

What is good curation versus bad curation? The image is a remix of a presentation entitled ” Link Building by Imitation ” and authored by link building expert Ross Hudgens — and explains the skill set pretty well. ” He says that copyright infringement is not theft.

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Mike Remixes My CC Entry

Beth's Blog: How Nonprofits Can Use Social Media

Mike is writing some great stuff on remix culture and creative commons license. Mike isn't doing this particular mashup for fun, he's trying to move forward some debate about methods and issues with specific licensing uses for mashups. Mike writes this post Avoid YouTube if You Wanna Remix and Mashup. So here goes: 1.

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Why is Google Screaming?

Beth's Blog: How Nonprofits Can Use Social Media

I'm feeling a little overwhelmed and it didn't help much when I googled something to see the Screamer inside the Google logo. Is google highlighting fine art? So, of course I wanted to remix it. Munch died in 1944, so he is "in copyright" until 2014. Google must. is that violating copyright?)

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10 Steps to Extension Professional 2.0 Remix

Beth's Blog: How Nonprofits Can Use Social Media

Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World. My initial remix thought (wrong) was to look for examples that were related to agriculture, but the extension is so much more. I'm nervous. It's messy.

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With Liberty, and Information, For All?

NTEN

Even simple tools like Google Docs means your organization can report real time data, online, anytime. Remixing the content: Government content can't be copyrighted, so you're free to grab and reuse any government created content on the site. You can do it, too! You need to do at least that, preferably more.

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The Participatory Museum Process Part 4: Adventures in Self-Publishing

Museum 2.0

I decided to self-publish The Participatory Museum for four reasons: OPENNESS: I wanted the flexibility to license and distribute the book using an open structure to promote sharing. Few publishers was open to Creative Commons licensing and to giving away the content for free online. I chose the Attribution Noncommercial license.