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Some Reflections About Civil Society 2.0 and Why I’m Not On A Plane To Tunisia Right Now

Beth's Blog: How Nonprofits Can Use Social Media

“It depends on whether this is the beginning of a trend or an extremely exceptional response to an extremely exceptional situation,” said Rebecca MacKinnon, co-founder of Global Voices, a network of bloggers worldwide, and author of “Consent of the Networked,” a book that addresses free speech in the digital age.” ” Widad E.

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Lead or Follow: Arts Administrators Hash it Out

Museum 2.0

Roberto Bedoya : The "Yes And" Argument and its Civic Implications Bedoya, the Executive Director of the Tucson Pima Arts Council, makes a beautiful statement that arts administrators need to facilitate a multiplicity of leading voices, or as he puts it, "the courage of imagination and the plural."

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17 Ways We Made our Exhibition Participatory

Museum 2.0

It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. We've continued to do this for future exhibitions.

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Participation, Contemplation, and the Complexity of "And"

Museum 2.0

We need translators within each cultural context. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. But we do have ''and.'' Staffing: We have 2.25

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The Great Good Place Book Discussion Part 5: Oldenburg on the LAM

Museum 2.0

You can join the conversation in the blog comments and add your own voice to the debate. The ideal of third places, that attracts we cultural heritage types, is a democratic space where civic life is built collaboratively and at a personal level. That's the sort of a "fourth place" model that LAMs want to shoot for. In the 1930s, W.E.

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