Remove Attitude Remove Book Remove Participatory Remove Voice
article thumbnail

Museum 2.0 Rerun: Answers to the Ten Questions I Am Most Commonly Asked

Museum 2.0

Have you seen attitudes in our field about visitor participation shifting over time? In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions. Yes and no.

Museum 45
article thumbnail

Answers to the Ten Questions I am Most Often Asked

Museum 2.0

Have you seen attitudes in our field about visitor participation shifting over time? In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions. Yes and no.

professionals

Sign Up for our Newsletter

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

article thumbnail

Two Years Later

Museum 2.0

In the last year, I have seen traditional museum attitudes about social media and community co-design go from "why should we care about this?" Small, quirky projects like the public art geocaching exhibition in Bellevue, WA , and inspiring surprises like the Living Library program and book-drop based tagging at the Hague.

Museum 20
article thumbnail

Thoughts on 3six5, a Successful Participatory Project

Museum 2.0

Yesterday, I had the delightful opportunity to participate in the 3six5 project , a yearlong participatory project in which 365 people write 365 journal entries for every day of 2010. It showcases diverse voices. I think of 3six5 as a coffee table book that is being written one day at a time.

article thumbnail

Rowboats and Magic Feathers: Reflections on 13 Years of Museum 2.0

Museum 2.0

Woman reading a book on a beached rowboat, 1925. I spent 2007-2011 traveling the world, doing participatory projects and consulting gigs, and writing my first book. You gave me confidence, guidance, and stories for my books. You gave me support as I struggled to lead a museum through a participatory rebirth.

Museum 27