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Trust Me, Know Me, Love Me: Trust in the Participatory Age

Museum 2.0

Museums aren't the only venues facing this question: news outlets, corporate brands, and educators are also grappling with the question of trust in the participatory age. When I read the New York Times online, each article's author's name is hotlinked and there is an easy and direct way to contact him/her.

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Designing Talkback Platforms for Different Dialogic Goals

Museum 2.0

This technique was used in the Slavery in New York exhibition at the New-York Historical Society and continues in the popular StoryCorps project. There was a wonderful example at the Ontario Science Center in their Hot Zone area, which features several voting and commenting kiosks popular with teens.

Design 31
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New Models for Community Partnerships: Museums Hosting Meetups

Museum 2.0

Librarian Aaron Schmidt tells the great story of a game night of Dance, Dance, Revolution at his library in which a teen asked him: “Hey Aaron, can I go upstairs to grab a magazine and book to read?” Projects participatory museum. This isn't just about product placement (though that doesn't hurt). marketing Museums Engaging in 2.0

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Framework vs. Sensibility: Separating Format from Voice

Museum 2.0

I've written before about the difference between participatory processes and products , but this question of frameworks and sensibility is more broadly applicable to community engagement strategies. In fact, I find that participatory products are often more likely to reflect a formal sensibility than their traditional counterparts.

Voice 42