Remove Arts Remove Childhood Remove Participatory Remove Project
article thumbnail

Adventures in Evaluating Participatory Exhibits: An In-Depth Look at the Memory Jar Project

Museum 2.0

Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Better yet, the graduate student who led this project, Anna Greco, documented the whole project and did in-depth analysis of the visitor contributions. What was it?

article thumbnail

Want to Co-Create an Exhibition on a Hot Issue? Introducing the Community Issue Exhibition Toolkit

Museum 2.0

Two years ago, our team at the MAH embarked on our most challenging co-creation project ever. We partnered with foster youth, former foster youth, artists, and community advocates to create an exhibition that used art to spark action on issues facing foster youth. This project wove together many different participatory threads.

Issue 45
professionals

Sign Up for our Newsletter

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

article thumbnail

Ze Frank Takes Over (My) Museum

Museum 2.0

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).

Museum 45
article thumbnail

Platform Power: Scaling Impact

Museum 2.0

They were off-site for the first time in years, holding a special study session sparked by an exhibition about foster youth, Lost Childhoods. It happened because two of our Lost Childhood partners urged it into being. This argument became one of the foundations of The Participatory Museum. They negotiated with the County.

article thumbnail

Designing Interactives for Adults: Put Down the Dayglow

Museum 2.0

The common museum knowledge on this issue is that adults are timid, that we have lost some of the wonder, impulsiveness, and active creativity of childhood days. There are many participatory experiences that appeal primarily to adults, and they are designed distinctly for adults. But I don't think that theory holds up.

article thumbnail

How Do You Inspire Visitors to Take Action After They Leave?

Museum 2.0

This month, we opened a new exhibition at the MAH, Lost Childhoods: Voices of Santa Cruz County Foster Youth and Foster Youth Museum (brief video clip from opening night here ). it uses art, history, artifacts, and storytelling to illuminate a big human story and an urgent social issue. What's your take on this approach?

Action 44