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Which New Audiences? A Great Washington Post Article and its Implications about Age, Income, and Race

Museum 2.0

Audiences of all backgrounds found ways to connect with museums as it presented exhibitions with the help of foster youth, migrant farmers, roller-derby girls, mushroom hunters, surfers and incarcerated artists, among others. Reading this article made me wonder: what are the greatest diversification issues in museums today?

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Guest Post: Community and Civic Engagement in Museum Programs

Museum 2.0

Deeper community relationships through focus groups or community advising committees can further help museums connect with issues relevant to their communities while also hold the museum accountable for their responses. Sometimes that results in an artist-led cascading collaborative sculpture of 475 visitor-made scrap metal fish.

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Building Community: Who / How / Why

Museum 2.0

For example, in Santa Cruz there is a huge community of creative people who identify as artists in non-traditional media. That’s why we partner with fire sculptors, knitters, graffiti artists, and bonsai growers. They are artists whose experience deserves a home in our institution alongside painters, photographers, and sculptors.

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Who Counts? Grappling with Attendance as a Proxy for Impact

Museum 2.0

It might involve producing ad campaigns linking science to community issues, or advocating for job training programs in technology, or designing curriculum for community colleges. We also focused this year on working with the countywide adult education agency to start an intergenerational science program at three senior centers throughout St.