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The Public Argument About Arts Support as Seen through the Lens of the Detroit Institute of Arts

Museum 2.0

But the arguments trotted out represent how far we have to go in articulating the public value of arts institutions (and helping our supporters speak the same language). Reading through the 300+ comments online reminded me eerily of the extraordinary 2010 ArtsWave report on the public value of art (full report here , my synopsis here ).

Detroit 49
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Adventures in Artist-Driven Public Engagement: Machine Project at the Hammer Museum

Museum 2.0

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? No, this is not a reality TV show.

Artist 39
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How I Got Here

Museum 2.0

I had a healthy second life as a slam poet, and I loved the world of artists and performance. In 2004, Anna was the Director of Exhibitions and Programs at the International Spy Museum. Articulate what you can do for your organization, not what you can do generally. Bosses are like boyfriends; they're not mind readers.

Museum 52