Amy Sample Ward

JUNE 21, 2011

People are now coming to the library to see it as it includes content by all the 500 participants from that night. “Many of the games at Babycastles don’t fit the traditional definitions of the medium; they veer closer to artistic experiementation than they do to mass-market viability.&# – New York Times.

Game 140

Game Culture Museum Change 140

Museum 2.0

JANUARY 27, 2011

Over the past few years, they've worked hard to make their rich content more accessible both through digitization and programs. The people who want that content may not be in the same city as the museum nor even aware of the museum's holdings. At a recent talk in Chicago, an audience member asked a question. but people aren't coming.

Wikipedia 54

Wikipedia Content Museum Artist 54

Candid

NOVEMBER 16, 2021

On-demand trainings can be taken any time, with recent topics including fostering an inclusive culture , finding funding , and writing grant proposal budgets. This content represents a wealth of credible sources for research papers and projects. . Foundation Directory . Grants to Individuals . Real-time response tools .

Student 119

Student Free New York City San Francisco 119

NTEN

JUNE 27, 2012

Read the rest of the article, and the complete issue on Content Curation, when you subscribe to the journal for free! ] By Beth Kanter, Author of Beth's Blog Content curation is the process of sifting through information on the web and organizing, filtering and making sense of it and sharing the very best content with your network.

Content 62

Content Benefit Build Museum 62

Museum 2.0

JULY 26, 2010

I've been spending time recently interviewing people who run unusual cultural and learning venues. In the past, I've highlighted a few--like 826 Valencia and the Denver Community Museum --that I think have already influenced the way many traditional cultural organization do business. Skill-sharing free schools.

Culture 49

Culture Alternative St. Louis Los Angeles 49

Connection Cafe

JUNE 27, 2014

The culture you create around your fundraising event is crucial to its success. If so, you’ve likely noticed the ever-growing need for visual content. But you’re not an artist, so how are you supposed to create exceptional looking content? The list might be small, but work is required—years of it.

Content 43

Content Hype China NTEN 43

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 1, 2009

The same constructs which were discussed around combating issue fatigue can be used in creating a cultural movement around an issue. There are a few foundational questions to be asked before building a cultural movement through the use of media and storytelling. that effective cultural movements move.

Culture 84

Culture Build Change Media 84

Kindful

MARCH 11, 2021

Was the content dull and irrelevant? Facilitating a high-impact, memorable retreat is an art and the best facilitators are master artists. They use online surveys, analyze metrics, review marketing collateral, assess board culture, and review key information about an organization. Were they unengaging? They do their homework.

Facilitation 98

Facilitation Exercise Fun PowerPoint 98

Museum 2.0

OCTOBER 2, 2013

In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it. Every Saturday, the curatorial team at Elsewhere , a living museum in downtown Greensboro, NC, reviews the project proposals of its artists-in-residence.

Artist 49

Artist Museum Proposal Participatory 49

Museum 2.0

OCTOBER 15, 2014

To actively weave together cultures across differences instead of accentuating the distinctions among them. In cross-cultural communities, there is some reaching across boundaries. But I also appreciate the complexity and interdependence of these constructs--especially in cultural institutions.

Museum 50

Museum Sweden Culture Celebrate 50

Achieve

JANUARY 18, 2023

Post exciting content on relevant. She brings a unique and artistic approach to marketing, rooted in her enthusiasm for the creative, entertainment and fashion industries, and their applications to establishing and growing digital presence. To build your remote audience, leverage the following marketing channels: . Social media.

Virtual 97

Virtual Fundraising Nonprofit Hosting 97

AccelEvents

JULY 14, 2021

Try to build the content around tasks that can be accomplished where the attendees are. Perhaps you line up a popular motivational speaker or lifestyle influencer to help balance out more serious event content. with valuable information about the effectiveness of the content, the format, and the audience engagement levels. .

Virtual 98

Virtual Ideas Online Movie 98

NTEN

JUNE 21, 2011

People are now coming to the library to see it as it includes content by all the 500 participants from that night. Questions and Discussion Tracy : When we speak about cultureal spaces, we are really talking about caging and preserving culture. That's one of the goals of research institutions and cultural spaces in general.

Game 52

Game Culture Change Museum 52

AccelEvents

NOVEMBER 17, 2020

A music festival, food festival, or cultural festival, to name a few, can bring people together in some of the best ways. . However, with the rise of COVID-19, festivals all over the world were put on hold, and the events industry, artists, and festival vendors were forced to find other ways of sharing their passions with the world. .

Movie 98

Movie Music Stream Virtual 98

Museum 2.0

APRIL 23, 2014

The content is meaty, multi-lingual, and timely. Elsewhere in podcast-land, Radiolab did a fascinating piece about cultural appropriation and gate-keeping in hip hop music. Some serious parallels to curating exhibitions and performances, especially with living artists. The topic is online professional identity. Sound familiar?

Belarus 29

Belarus Boston Sweden Ukraine 29

CauseVox

JUNE 9, 2021

Reach out to a talented volunteer or local artist to lead the class, and purchases the necessary supplies. Have your lead artist jump on and run the class on Zoom. With a takeover, your team can post content throughout the day that links back to your organization’s website or social media pages. Zoom to the rescue!

Ideas 98

Ideas Online Fundraising Charity 98

Museum 2.0

OCTOBER 30, 2013

Earlier this fall, I read this headline: "Stanford study: Participation in a cultural activity may reduce prejudice." When the music video was focused on Mexican culture, the researchers found that the white and Asian participants demonstrated a decrease in prejudice against Latinos, both immediately after the activity and six months later.

Measure 47

Measure Arts People Museum 47

Museum 2.0

AUGUST 1, 2012

Schimmel's departure was seen as the final confirmation of Deitch and Broad's populist, celebrity-driven approach to exhibitions, and that concerned many critics , artists , and museum directors in the art world. Attendance has increased in the past two years from 150,000 to 400,000 annually. I agree with the serious concerns in #1 and #2.

Artist 52

Artist Museum Arts Director 52

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 31, 2012

Chalk up my vote for 2011’s “Best Debut Artist” and “Best Supporting Actor.”. In this sound bite culture, social justice organizations must carve out nuanced positions on complex social issues, from racial and gender equity to immigration reform. Facebook, Twitter and text messaging are also in the pipeline.

Social 108

Social Organization San Francisco California 108

Museum 2.0

MAY 27, 2015

The course is roughly split into two parts: defining beauty (both universally and relationally, through "big idea" texts, videos, museum visits, and artist lectures), and exploring beauty (through encounters in formal art contexts and the wider world). But it's mostly just content. I can identify artworks by famous artists.

Course 20

Course Artist Museum Learning 20

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 14, 2010

The content for the first face-to-face sessions was based on the workshops I’ve been leading for the past five years and includes the Social Media Game , Strategy Principles , Experimentation , and the practical and tactical. And lots of peer support and connections. Participants Are The Content.

Social Media 99

Social Media Media San Jose Social 99

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 30, 2009

These artists are all great examples of how media can be used for social change - as a vehicle for storytelling. Your story is yours, so give it a style and flair that reflects your culture and mission. "I Content will always be king, so if your story is creative and innovative, it will be heard by the desired audience.

Chad 90

Chad Storytelling Lesson Artist 90

Museum 2.0

AUGUST 5, 2016

When writing The Art of Relevance , I knew I wanted to share a bit of his story and the ways artists negotiate the relevance of their own work. RELEVANCE IS A MOVING TARGET FOR CONTENT Most of us aren’t steering whole institutions and mission statements. We’re working on a smaller scale, with specific content or programs.

Arts 20

Arts North America Music Hawaii 20

AccelEvents

NOVEMBER 17, 2020

A music festival, food festival, or cultural festival, to name a few, can bring people together in some of the best ways. . However, with the rise of COVID-19, festivals all over the world were put on hold, and the events industry, artists, and festival vendors were forced to find other ways of sharing their passions with the world. .

Movie 52

Movie Music Stream Virtual 52

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 7, 2007

My first job in nonprofit and technology was as community manager for an online network of artists called ArtsWire in 1993 before the Web. The online interaction design was patterned after the Well - it was described as a WELL for artists. I Own Creative Content, Therefore I Am, Not??? I've been Lewis Hyde fan ever since.

Artist 50

Artist Second Life Audio Law 50

Beneblog: Technology Meets Society

AUGUST 7, 2013

literary and artistic works … in the form of text, notation and/or related illustrations, whether published or otherwise made publicly available in any media;”. These are the digital locks that make it hard to copy digital content. Noteworthy Articles in the Treaty: Article 2(a). Works Covered. Technological Protection Measures.

Copyright 158

Copyright Law United States Library 158

Museum 2.0

JUNE 22, 2011

I've often argued that art and history museums should adopt this approach and encourage visitors to explore their potential as artists or historians, not just audiences for content. I still support the vision for museums and cultural institutions to help people discover new career paths and avocations. Even if they scare you."

Artist 48

Artist Museum Raise History 48

Museum 2.0

APRIL 2, 2014

There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). Beck talks about this in the context of learning to play music as a young artist. There are twenty songs in Song Reader.

Participatory 52

Participatory Arts Music Learning 52

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 31, 2007

I met her like ten years ago when I leading training workshops for arts educators, artists, and arts organizations throughout New York State on how to use the Internet. Susan was doing these amazing collaborative, user-generated content projects over the Internet. I was teaching Web1.0

Flickr 50

Flickr Professional Participatory New York 50

Museum 2.0

MAY 18, 2011

The museum is free to all-comers and showcases pieces from Slim's extensive collection of European and Mexican art, including pieces by major international artists whose work is not easy to find in Latin America. Slim's son-in-law designed the building. It's in a commercial district.

Classes 55

Classes Mexico Museum Columbus 55

Museum 2.0

OCTOBER 17, 2012

Venue as content platform instead of content provider: the museum becomes a stage on which professionals and amateurs can curate, interpret, and remix artifacts and information. We invited local artists and community groups to perform. We make room for interns and artists and people who walk in the door with crazy ideas.

Museum 47

Museum Artist Remix Professional 47

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 16, 2009

How do we sift through this information effectively to get what need for learning, action, content creation, etc? What interests me is if this is the next evolution of the social web - what is the culture shift that needs to happen within a nonprofit to embrace it? How does this change our connectedness on online social networks ?

Place 84

Place Time Web Stream 84

Museum 2.0

JUNE 27, 2012

This year, we produced our events--especially the 3rd Friday evening series--in partnership with over 700 artists and community organizations in Santa Cruz. Here are three possibilities I'm toying with for why events are taking center stage at museums: Culturally, we are shifting to a more event-driven society.

Museum 53

Museum Arts Dallas History 53

Media Cause

AUGUST 9, 2021

While much of the branding and design inspiration we run across is either from consumer brands or individual artists, it all provides us with the opportunity to discover new principles, practices, and approaches that we can incorporate into our nuanced nonprofit world. What about content? What would the structure be like?

Design 52

Design Experiment Nonprofit Collaboration 52

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 3, 2007

The group includes podcaster, video bloggers, filmmakers, artists, educators, videographers, and more. The site content will be moderated and if inappropriate (off topic) content is posted - it will be removed - but that long term the site will be community moderated. I always learn so much when I attend.

Boston 50

Boston Media Jamaica Ning 50

Museum 2.0

SEPTEMBER 20, 2011

Everything about the event--from the time slot to the tone of the content to the music played--was designed for that audience. And from my perspective, it was this diversity that made the event unique--and made me rethink the way that cultural professionals typically approach audience development.

Audience 52

Audience Develop Museum History 52

Museum 2.0

JANUARY 24, 2011

Guard staff who are willing to let an artist step between two panes of glass to perform. It’s a great project that allows us to keep researching and creating content around our collection, and we need about $10,000 per year to produce it. We are culturally in a time of serious recalibration and that's a bumpy ride.

Arts 46

Arts Interview Teen Artist 46