Connection Cafe

SEPTEMBER 22, 2020

After our complete closure on March 16, 2020 due to COVID-19 , our museum staff was busier than ever preparing to navigate these uncharted times. Download the free eBook from Blackbaud and Cuseum: The Ultimate Guide to Surviving & Thriving As A Cultural Organization. Timed tickets will be available two weeks in advance.

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Museum Arts New Hampshire Guidelines 31

Connection Cafe

SEPTEMBER 18, 2019

The following post was originally published on the Center for the Future of Museums blog. On Wednesday, August 8, over 300 museum professionals joined CFM director Elizabeth Merritt and Seema Rao, principal of Brilliant Idea Studio , to explore self-care in the museum workplace. We’d love to share. I am a bisexual cis woman.

Museum 21

Museum Culture Professional Training 21

Museum 2.0

MAY 21, 2014

I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. We talk a lot at our museum about empowering our visitors, collaborators, interns, and staff by making space for them to shine. I''ve never worked in such a supportive, energized, active environment. Sometimes it isn''t.

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Museum Director History Teen 49

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. Most of my work involves museums, but these categories can be useful in any project that involves user participation. I've purchase a two copies, one for me and one to give away. I’ve added one more category to the mix called hosted.

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Model Activities Active Activism 98

Saleforce Nonprofit

AUGUST 20, 2021

The same historical and cultural structures that have held back diversity, equity, and inclusion (DEI) in so many aspects of our lives are also mirrored in much of the nonprofit sector. Change Organizational Culture. This can include incentive structures, remembering DEI in programming, speakers, professional development, etc.

Strategy 82

Strategy Fundraising Philanthropy Nonprofit 82

Museum 2.0

OCTOBER 17, 2012

When I started this blog in 2006, I made a multi-media introduction to the concept of "museum 2.0" Venue as content platform instead of content provider: the museum becomes a stage on which professionals and amateurs can curate, interpret, and remix artifacts and information. The museum gets better the more people use it.

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Museum Artist Remix Professional 47

Museum 2.0

AUGUST 18, 2011

Many people ( Paul Orselli , Linda Norris , Pete Newcurator ) in the museum field have written about the question of museum "tribes"--based partly on Seth Godin's book , partly on the longstanding fan culture that pervades our lives through sport , celebrity, and shared experience of mass events.

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Museum Share Support Indianapolis 45

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

MAY 6, 2016

Five years ago, I left the consulting world to take the helm at the Santa Cruz Museum of Art & History (MAH) at a time of crisis and change. We have spent the past three years planning and raising money for a project to build a creative town square for our city on the front porch of the museum. I bridle under too much structure.

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Museum Director Arts History 20

Museum 2.0

JUNE 1, 2010

You can join the conversation in the blog comments, or on the Museum 2.0 Like many museum and library professionals, I am enamored of the idea of cultural institutions as “third places” – public venues for informal, peaceable, social engagement outside of home or work. This is the only post written by me, Nina Simon.

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Place Discussion Culture Museum 41

Neon CRM

DECEMBER 13, 2023

Every membership program needs a structure that appeals to its intended audience. Membership Models: The What and Why A membership model is an organizational structure where a nonprofit offers a valuable set of benefits in exchange for a recurring membership fee. What does your audience get out of joining forces with your organization?

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Model Florida Nonprofit Benefit 52

Museum 2.0

SEPTEMBER 9, 2010

Jasper Visser and his colleagues at the not-yet-physically-open National Historisch Museum of the Netherlands have impressed me with their innovative, thoughtful approach to developing a dynamic national museum. Last weekend my museum presented itself at the Uitmarkt in Amsterdam. I believe it worked brilliantly.

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Museum Comment Experiment Participatory 34

Museum 2.0

OCTOBER 24, 2012

I like to ask myself this question periodically, challenging myself to find substantive ways for visitors to contribute to our museum. We actively seek participation and develop structured opportunities for visitors to collaborate with us. We don't have to convince them that it's their museum.

Platform 41

Platform Open Museum Participatory 41

Museum 2.0

MAY 3, 2010

Last week, I attended Structure Lab , a half-day workshop on legal and financial structures for ventures for social good. The Structure Lab is set up as a "game" in which you explore cards in various categories (values, assets, financing, etc.) to better articulate what you are really trying to do with your project concept.

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Structure Model Social Profit 31

Nonprofits Source

JANUARY 23, 2023

Once you’ve applied to the program, you’ll need to set up your account, create your ads, and actively monitor performance. The program is most helpful for organizations that have discussion-worthy causes and content centered around related topics that people are actively searching for online. Ongoing account hygiene.

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Grant Google Management Guide 52

Museum 2.0

JANUARY 28, 2009

What role does “promoting human happiness” play in the mission statements and actions of museums? That’s the question I’m pondering thanks to Jane McGonigal and the Center for the Future of Museums (CFM). Earlier today, the CFM offered a free webcast of Jane McGonigal’s talk on gaming, happiness, and museums.

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Museum Game Structure South America 21

Museum 2.0

JULY 10, 2018

The museum was in huge financial trouble. My expertise was on inviting strangers to participate in public settings like museums. Creating event-specific rules can level the playing field, make the implicit explicit, and create a specific culture for the event. I remember the first staff meeting I ever ran. First names only.

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Hosting Arts Help Museum 31

Museum 2.0

NOVEMBER 2, 2011

And that's what this post is about--how we advertise the culture at our organizations (or not) when we offer new positions. I had a bit of a wakeup call about internships last month at an "emerging leaders" lunch event at the Mid-Atlantic Association of Museums conference. We might never get there.

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Museum Student Participatory Structure 35

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. They talked about community building.

Build 20

Build Community Museum Artist 20

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

MARCH 27, 2013

I've written about different structures for participatory processes (especially in museums), and recently, I've been interested in how we can apply these structures to the design of public space. Here's a synopsis: Participation 1. Child-initiated, shared decisions with adults: Goal isn’t about “kids’ power.”

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Design Participatory Children Museum 49

Museum 2.0

APRIL 19, 2016

A few months ago, the MAH board and staff started discussing whether and how to create a formal policy for advocacy activities. Our museum has already had several requests to lend our support to bond measures that will be on the ballot in 2016. We wanted enough of a process to provide clarity and structure without too many hoops.

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Policy Advocacy Create Museum 20

Museum 2.0

MAY 13, 2008

I once asked Elaine Gurian how museums can change. Here's the problem with both of these ways: they require circumstances that are outside of most museum employees' control. Here's the problem with both of these ways: they require circumstances that are outside of most museum employees' control. There's no client, no cash.

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Museum Place Model Project 31

Museum 2.0

FEBRUARY 24, 2010

with cultural professionals, I like to use Tim O'Reilly's simple definition: software that gets better the more people use it. Museum professionals tend to think this is OK because they think of the contributory act as the important part of the participation. Such participatory activities would be seen as a waste of time.

Participatory 35

Participatory Museum Rate YouTube 35

Bloomerang

FEBRUARY 1, 2022

Elizabeth Abel will explore the role of the board in elevating fundraising activity and discuss effective strategies to recruit, engage, and deploy diverse board members as fundraising ambassadors. Second is to develop some action-oriented strategies to recruit and retain and engage diverse board members in fundraising activity broadly.

Leadership 62

Leadership Fundraising Gift Slides 62

Museum 2.0

DECEMBER 7, 2007

I got my copy of the fall issue of Museums and Social Issues this week. The theme is "Civic Dialogue," and the journal includes articles on the historical, cultural, media, and museum practice of getting people talking to each other (including one by me about such endeavors on the web). A place many museums are not.

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Museum Lecture Denver San Francisco 22

Museum 2.0

FEBRUARY 12, 2009

The conventional wisdom on museum memberships is that they are "one size fits many" programs whose primary benefits are free entrance to the museum and insider access to exhibition openings. But what about all the other people who love your museum? Want to know how the Brooklyn Museum is answering this question?

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Museum Audience Program Artist 24

Museum 2.0

APRIL 2, 2014

In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. If there are museum objects and visitors'' objects on display together, all should be afforded the same level of exhibit design, labels, etc. Constrain the input, free the output.

Participatory 52

Participatory Arts Music Learning 52

Museum 2.0

SEPTEMBER 22, 2009

In the collaborative model, visitors are invited to serve as active partners in the creation of an institutional project which is originated and ultimately controlled by the institution. However, the public is actively involved in multiple steps of the research process, including collecting data, analyzing results, and drawing conclusions.

Public 36

Public Research Participatory Report 36

Forum One

DECEMBER 13, 2023

Forum One partnered with the Museum to launch their new brand to the world. Forum One partnered with the Museum to launch their new brand to the world. This work not only included launching a new website but also revitalizing the American Jazz Museum brand as a whole.

Celebrate 67

Celebrate Award Colorado Museum 67

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 12, 2009

About three months ago Beth Kanter wrote about the Crowdsourcing of Vision at the Smithsonian Museum. Hundreds of thousands, if not millions, of dollars have been spent on visioning, strategic planning, culture change initiatives, coaching and more effective internal communications. From yesteryear to tomorrow Enter social software.

Aggregator 82

Aggregator Model Leadership Method 82

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 6, 2014

grist.org’s key results are: Footprint: The reach of their activities, both online and offline. The art part includes all the ways nonprofits and schools can engage and connect with alumni of their programs through social channels. Engagement: Readers engage with their content.

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Social Media Network Media Free 108

Forum One

DECEMBER 13, 2023

We partnered with the Museum to launch their new brand to the world. We partnered with the Museum to launch their new brand to the world. This work not only included launching a new website but also revitalizing the American Jazz Museum brand as a whole. This beautifully designed branding and website won five awards this year!

Celebrate 46

Celebrate Award Colorado Museum 46

Museum 2.0

MAY 16, 2007

into the museum is the potential to encourage more positive in-museum interactions among strangers. I want in-person museum experiences to be more like experiences on social sites like Flickr, where strangers connect and form relationships around content. Structure the space with a clear story (and commensurate rules).

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Museum Myspace Facilitation Social Network 20

Museum 2.0

MARCH 8, 2010

And because users use the "Next" button so liberally--to escape gross users, to find someone interesting--the fundamental activity on Chatroulette is not chatting or connecting with strangers. Occasionally it's a place for a surprising cross-cultural encounter. It's evaluating people.

Interaction 26

Interaction Giving Museum Internet 26

Museum 2.0

MAY 9, 2008

There's a tag applied to many Museum 2.0 Posts under that tag tend to examine non-museum things, from malls to games to ad campaigns , and draw some design lessons for museums from their foreignness. What aspects of that socialness are desirable in museums (and how might we mirror buses or trains to promote them)?

Participatory 20

Participatory Design Museum Childhood 20

Museum 2.0

JUNE 16, 2020

Andrea has been a leader in the museum technology field. I cannot identify a single strategy-level decision maker with visitor-centered expertise and enough cultural competency to develop and apply successful, proven methodologies in-house, let alone share with other institutions nationwide and beyond.

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Museum Detroit Arts Leadership 22